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“I’ve read a few reviews on 9 songs and one thing they all seem to agree upon is that the movie has no memoir. I can’t disagree with them. There isn’t great of a chronicle, but if you pay attention you do reach at some engrossing conclusions.”
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“The place of the movie can be boiled down to this, boy and girl meet at a, Gloomy Rebel Motorcycle Club, rock concert and go to his superior and f*ck. Another concert and another roll in the hay. With some cramped exceptions this is the modus operandi for nine concerts.”
“Matt is a scientist, a glaciologist and Lisa is a visiting American college student. Matt tried to withhold up with Lisa, but I got the impression that he was overmatched, with Lisa, whom I view was an excitement junkie. She was also more into experimentation. At one point one point Matt went home by himself as she stayed with a woman.”
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“I couldn’t figure out why the sex scenes seemed so well done – almost trusty. Then, as the movie progressed it became sure. The bathtub scene with Matt and Lisa, the only actors in the movie, gave me the first clue. With Matt (Kieran O’Brien) leaning aid on one side of the tub and Lisa (Margo Stilley) on the other, she uses her feet to massage his erect penis in chunky idea of the viewers. That was about halfway through the movie and was only the beginning. Each sex scene thereafter, became increasing more explicit.”
“After about three months of actual rock concerts and sex, Lisa tells Matt that she will soon be going relieve to America. Matt is crushed, so that afternoon Lisa cheers him up by … how can I say this? Blowing him! The viewer gets to witness the whole episode, objective like a porn movie. She sucks on him for about thirty seconds and then cuts away to a long thought of Matt, ejaculating on himself.”
“On the day she is scheduled to leave, the spectator is presented a vision of the couple having intercourse including certain notion of phallic penetration.”
“Speaking of the rock concerts, rock music fans, especially fans of British bands may be involved in the bands of the various concerts. I managed to dig seven of them out – they are:”
* Super Furry Animals
* The Dandy Warhol
* Franz Ferdinand
* Elbow
* Black Rebel Motorcycle Club
* The Von Bondies
* Primal Scream
Conclusion
“What one might secure out of this movie depends upon what one’s expectations are. No, it doesn’t have remarkable of a myth, but I understanding the overall product was bright and very watchable. The movie was realistic in everyway (not objective the sex) and earthy. The acting by the two actors was really something to ogle and so was the cinematography.”
“It should be pointed out that the writer, producer, director of 9 Songs, felt there was a double standard regarding reading material vs film. He conception, since many erotic and even mainstream stories are extremely graphic, why can’t mainstream movies also depict graphic sex. In comparison to the explain day trend of filthy degrading pornographic films, 9 songs must seem extremely tame. Mild, it is a gargantuan leap forward in sexuality from the average expressionless, poorly done soft-core movie. Therefore, I’m going against the grain, and giving the movie 4 stars.”
Some might mediate this movie prurient, while to others it will seem sweetly nostalgic. Anyone who is looking at this review will already know that 9 Songs is well-known for its full-on sex scenes. Some, however, will not be aware that it really is about the nature of memory and the waking-up to ordinary life’s intangible fleeting beauty.
The main character is a British glaciologist through whose eyes, metaphorically, one “remembers” a relationship a magnificent, egotistical, careless, charming, and crazy woman, not unlike the young women young men meet from time to time and with whom men try (unsuccessfully) to have a temporally enduring relationship.
Matt (Kieran O’Brien) is an ugly-handsome winsome working-class bloke made worthy in Tony Blair’s Unique Britain. Lisa (Margot Stilley) is an American, obviously from what is called a “qualified family”, curvaceously slim, statuesque (about two inches taller than Matt), educated, and unserious about both her relationship with Matt and her job. As for her “job”, though we don’t search for considerable of it at all, it’s obviously fair a time-marking “playing about with typewriters and latchkeys and calling it work”, as EM Forster called the occupations of upper middle class twenty-somethings who receive regular checks from the family benefit home. She a good-looking 21 year mature American woman in London with time on her hands, and a liking for men.
Glaciology is a key thematic element in 9 Songs. Antarctica is a metaphor for one’s memory. The snow laid down in the center of the continent becomes ice, trapping bubbles of air inside it. Those bubbles are the continent’s “memory” of the weather on a obvious day, a sure year. As more and more ice is laid down at the center, the earlier deposits travel inecluctably toward the sea, there to be “calved” become bergs, and finally melt, leaving no effect tedious.
Apart from Antarctica, there’s not a lot more than performances by bands like the Dandy Warhols, Orderly Furry Animals, and so forth. Nine songs sung in really fun-looking London venues, to be real, and, of course, the distinguished scenes of the couple making adore. The lovemaking is more inferred than depicted ofttimes, but taken as a whole one would doubt that there is even a square centimetre of the protagonists’ anatomies that is not unmistakably displayed in all its glory for all the world to discover in this movie. The sex, for the most fragment, has a quality of warmly relational authenticity that anyone could observe as very positive from exploitative porn. As a result, the viewer seldom feels terribly voyeuristic, but rather the director seeks for the viewer to experience a reflective nostalgia, redolent of times past – which is, of course, a function of memory.
HOWEVER, the title of the film does not, I mediate, refer merely to the “songs” sung by the bands. My beget theory is that the auteur, Michael Winterbottom, is alluding to the Chinese 13th century Yuan Dynasty cycle of poems, The Nine Songs, which is in many respects about the Shamanic quest. “Similar to the stale shaman of Siberia, Central Asia and the Arctic, the wu enters into a trance station in performing ceremonies. However, unlike his northern counterparts, the Chinese shaman enters into a fleeting treasure relationship with the God (or Goddess) .” [taken from Zekeriyah's wonderful review of the book of the same name on this site]
You gaze, this film is not only about memory, and what a guy remembers about a relationship with a woman he has loved (which guys being who they are, is mostly the perceived high points, like going to shows and making appreciate), but 9 Songs also seems to be an extended metaphor for the Shamanic quest, which in the ruin requires union with the mysterious Beloved other, the mythological dakini, who both enlivens and kills her lover simultaneously and then simply disappears into the sky, and leaves slow (there’s that word, memory, again) as her gift a precious, elusive realization of the ugly-beautiful reality of things-as-they-are.
With that in mind, glance this movie. It’s not really about sex.
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