Posts Tagged ‘actor’
Watch Killshot Movie Online
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Watch Killshot Movie Online.
Movie Title: Killshot Killshot is available for streaming or downloading. |
Synopsis: Armand “The Blackbird” Degas (played by Mickey Rourke) is a professional criminal who travels to the Detroit status to conduct some criminal activities. He runs into low-life criminal Richie Nix (Joseph Gordon-Levitt), whom Degas takes a bright to despite Nix’s reckless and sociopathic tendencies. The two choose to grasp in an extortion attempt on a realtor and inadvertently involve husband and wife Wayne Colson (Thomas Jane) and Carmen Colson (Diane Lane) into their schemes. Well, after Nix is injured during the extortion attempt, the duo launch focusing on revenge more than the loyal extortion. Meanwhile, the tale begins placing added emphasis on the deteriorating relationship of the Colsons, who prior to meeting Degas and Nix were considering divorce. One thing leads to another and the Colsons have to gawk spy protection to speed attempts on their life. But not even peep protection will close the criminals from trying to win the couple…
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First off, I enjoyed the film because of it’s setup. The locations were wonderful (my grandparents quit in Algonac, Michigan, so seeing portions of that and Detroit in the movie are awesome.) I also plan the casting was favorable too; you didn’t disfavor Rourke despite the fact that he was a violent person and Levitt’s character was one you LOVED to abhor. The movie was intense but not entirely predictable like most action films are. In the raze, you have a movie that feels like an action-romance tale that could be equally curious as either or despite how violent the movie is.
What bums me out is what we didn’t peer in the film. The film wrapped post-production up in 2006(!!!) but didn’t pick up to glimpse the a wide release because many felt the yarn was confusing (and it can be at times; but this is a movie that’s meant to watched twice.) This lead to any and all scenes enchanting Johnny Knoxville (who played the role of a Deputy) to be removed from the film entirely. I would have loved to have seen the uncut version of this film but for continuity purposes, this is the film that was provided to us.
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All and all though, it’s level-headed one that’s worth checking out and recommended to people who’d want to inspect what an action/romance film would sight like.
Armand “Blackgird” Degas (Rourke) is a hitman for the Toronto mafia. When his dedication to the job brings about the wrath of his employers, he falls in with Richie Nix (Gordon-Levitt), a two-time crook who’s a bit too anxious for his acquire sterling. When they try one of Nix’s many extortion schemes, they bustle into struggling couple Wayne and Carmen Colson (Jane and Lane) . Degas is distinct to let no one who sees his face live. Wayne and Carmen going into protective custody isn’t about to close that.
KILLSHOT is a perfectly decent thriller, with a extraordinary premise that, though not wholly believable, is at least gripping and unique. I haven’t read the fresh yet, though I concept to do so; I have a feeling the unusual (written by the famed Elmore Leonard) explores the thematic potentials more fully than the film, which at times feels like a mish-mash of scenes rather than one solid whole. (This can be blamed on the long delay; I first saw previews for KILLSHOT years–literally years–ago.) The script itself is fairly solid, except for a few cliched lines of dialogue; there are a few beneficial surprises, and even some damned-fine humor and action sequences.
Thomas Jane is solid as usual (I won’t say “always;” he’s had some clunker roles in the past, though it’s usually the film’s fault and not his), and Diane Lane manages to prefer quite a few scenes. Overall, though, the film rests squarely on the enormous shoulders of Mickey Rourke, who is delightfully rank, and Joseph Gordon-Levitt, who is overly campy and thoroughly luscious. The interaction between the two isn’t quite fleshed out like it should be (and their relationship isn’t at all believable; a pro like Degas would never hook up with a small-time punk like Nix, no matter how worthy the latter resembles the former’s deceased kid brother), but each actor holds his hold in different ways: Rourke shows his mastery of restraint (survey THE WRESTLER for another example of this talent, albeit under extremely different circumstances), and Gordon-Levitt has one hell of a pleasurable time camping it up, letting his character’s long hair and unjustified ego waft.
KILLSHOT isn’t quite what it could have been, but it’s aloof a solid film that’s worth a peep or two. It’s speedy and suspenseful; if you can overlook some of its logistics errors, it’s an exciting thriller that offers some solid acting and an bright set.
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Logan’s Run Movie Streaming
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Logan’s Run Movie Streaming.
Movie Title: Logan’s Run Logan’s Run is available for streaming or downloading. |
I’m a dyed-in-the-wool Logan’s Hurry fan, if such a thing exists, and was cheerful to peer the film released to DVD. The transfer looks large, and the letterboxed format preserves the fair cinematography.The acting is, by and gargantuan, elegant well-behaved. Michael York, Jenny Agutter and Richard Jordan are all in comely accomplish. Peter Ustinov chews scenery in his portions of the film, but isn’t that what you set him in a movie for? The visual effects won an Oscar abet in ’76, pre-Star Wars. I would station their quality somewhere above Marooned, but below 2001:a Area Oddyssey. The Aerial conception of the city that opens the film looks really cheesy, but the Carrousel sequence is downright eerie. It is even more powerful when you learn that the whole sequence was done in-camera, on-set with no compositing aside from the white beam of light that emanates from the ceiling. The compositing and matte paintings are breathtaking.The film takes a lot of flak for its costumes and for looking like it was shot in a shopping mall. I assume the costumes are moot–who know what we’ll be wearing in the future? These people live in a hedonistic, weather-free society. It stands to reason that they would be very revealing and purely cosmetic for those very reasons. As far as the explore of the sets goes–this is a materialistic, consumer-mad, hermetically sealed society that the film portrays–of course its going to recognize like a shopping mall.The film is not exactly an apt representsation of the events in the book (something I wouldn’t mind seeing someday) . Budgetary, time and technological constraints would made doing so impossible at the time. Calm, it holds up well on its have merits.One last note: Am I the only one who finds the fancy account angle of this movie touching? It’s entertaining to eye two people experiencing worship for the first time, especially in the world portrayed in Logan’s Accelerate, where people don’t have lasting emotional ties to one another.What the esteem fable kind of implies is that this is the first time in hundreds of years that people have belief and felt in terms of strong emotions for each other. In an era like our gain where the word is bandied about so remarkable as to be meaningless, it’s refreshing to behold a future where its meaning is rediscovered.
Logan’s Rush started off with a dazzling astounding concept–(courtesy of science fiction writers William F. Nolan and George Clayton Johnson) what if our youth obsessed society establish everyone over the age of 30 (21 in the unusual) to death as a means of population control? This film version of a classic cautionary narrative is intermittantly successful. David Zelag Goodman’s screenplay condenses and changes around several key characters. Goodman’s script essentially refocuses the current into The Fugitive in the future. In the new modern Francis (played brilliantly by the gradual Richard Jordan) and the Used Man character (played as befuddled by Peter Ustinov) were one and the same. You’ll need to read the current to look why this was an critical altered status point.
Additionally, Sanctuary did exist in the unusual while here it’s sure that it’s something of an urban chronicle. While these situation points might not seem distinguished, altering them radically reshaped the film. Unexcited, it’s sure that the film’s director, producer and screenwriter (respectively, Michael Anderson the leisurely Saul David and Goodman) wanted to streamline what could have been a confusing region if not layed out correctly.
The basic plot–In the future our society is enclosed in domes. As a means to control the population, everyone has a life clock crystal on their hand. When you advance 30 you have the option to become “renewed” in a ceremony attended by the citizens. Logan (Michael York) and Francis (Richard Jordan) are Sandmen who hunt, capture/or waste runners (people who settle to not go through renewal and try to rush) .
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After one incident, Logan is debriefed by the computer that runs the city. The runner wore a symbol representing life. During this debriefing he is send undercover to become a “runner” and glean out 1) Who is unhurried the network that tries to rep people out of the city and 2) If sanctuary exists. Logan’s life clock is prematurely archaic to 30. He contacts a girl who he had met before on the circuit (a system where people can “dial up” others for casual sex) who he had seen wearing the same symbol. Despite her better judgement, she elects to wait on him rush.
Francis, shy that his friend is running, elects to scamper him and either bring him benefit for renewal or raze him.
The film is quite reliable despite some gaping spot holes. Michael York gives a impassioned performance as Logan 5. Jenny Agutter is enthralling as Jessica. Richard Jordan shines as Logan’s faded partner Francis who feels betrayed and hunts Logan down. Roscoe Lee Brown is exceptional in his cameo as the demented cyborg Box. Michael Anderson, Jnr. gives a nice cameo performance as the surgeon hired to alter Logan’s appearence. Made for $6 million, Logan’s Accelerate looked quite sterling when it was released in 1976. The symbolism of having Francis and Logan fight in the House of Representatives with an American flag was quite evident given the year of release (1976) .
Buy,Download, Or Stream Logan’s Run! Click Here
Buy,Download, Or Stream Logan’s Run! Click Here
In many respects the themes in the film are more timely than ever. The obsession with youth, looking respectable and plastic surgery have arrive to interpret our culture in the 21st Century. The only thing missing from the film are botox injections.
Jerry Goldsmith’s gleaming net is a highlight of the film. Like his gain for Planet of the Apes, Goldsmith chose to go with a mix of sythesizers and orchestra to picture the city of the future. He eschews cliches in his music and the various themes and cues are at turns suspenseful and witty. The optical effects are blooming pleasurable given the time. The matte paintings by Albert Whitlock are outstanding and fairly convincing. The miniatures are a mixed bag. They didn’t view completely convincing in 1976 nor do they today. Fragment of the predicament has to do with the fact that waters don’t fare well when placed in miniatures. You can’t miniaturize the bubbles and water drops. Also, the spend of the miniatures in combination with live action is quite grainy due to the film stock and amount of composites. Mild, if you can suspend your disbelief, you’ll indulge in the film despite its limitations.
Logan’s Accelerate attempted to squawk an adult cautionary record in a world of light weight escapist movies. It’s a commendable film and the film makers frequently bite off more than they can chew. I’d rather have a film that’s too ambitious than not at all.
Still, I savor the ambitions if not the execution. It’s nice to finally have this graceful if flawed movie on DVD. The transfer is quite profitable although the print has a number of flaws. There’s also quite a bit of dirt evident on the print. These probably could have been cleared up with a inform digital transfer. Additionally, the 5.1 soundtrack occasionally sounds “tinny” and when played in the stereo format can be quite difficult to hear.
The extras are minute but nice. The commentary by director Michael Anderson and Michael York is quite noble and informative. A pity the terrific actor Richard Jordan isn’t around any longer to give us his perspective. I would have liked to glimpse a original retrospective documentary on the making of the film. It’s not likely to happen, though as no one is going to champion this film at the expensive of other newer projects (particulary since producer Saul David is gone) . The featurette included is the unusual one made to promote the film. It’s actually handsome decent given the age and purpose of it. The trailer is included as well. The disc is a dual sided single layer DVD with the widescreen and pan & scan versions on the same disc.
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Xiaolin Showdown – Season One Streaming
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Xiaolin Showdown – Season One Streaming.
Movie Title: Xiaolin Showdown – Season One Xiaolin Showdown – Season One is available for streaming or downloading. Click Here to Stream or Download Xiaolin Showdown – Season One |
It took me several days to write this review, seeing as how I’d have to admit to zillions of online strangers how mighty I esteem a kid’s cartoon. I declare I don’t usually examine this stuff! It’s not my fault! I honest can’t stand any more reality shows!
Buy,Download, Or Stream Xiaolin Showdown – Season One! Click Here
All good, down to business. Other reviews have covered the basics so I’ll gloss over them fast. Four kids–Clay, Kimiko, Raimundo and Omi–are brought to a temple in China, to roar as warriors and locate magical artifacts. These artifacts were de-powered and hidden all over the world thousands of years ago, but are regaining their magical potency one by one. The young warriors must derive them before they descend into the sinful hands. Those hands belong to an outrageous boy genius, his nagging ghost mentor, and a host of other moving villains.
The artifacts give powers to whoever is holding them at the time, and I have to applaud the creators coming up with such an assortment of heavenly things. They can let you talk to animals, stretch yourself like chewing gum, summon a whirlwind, blast fire, or fool with the workings of state and time. Most artifacts require skill and discipline to utilize correctly. Some give you a novel ability, but retract away one that you already had. Others backfire. A few are too perilous to be extinct at all. The characters have to assume about using them; they can’t fair flail them around.
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But the indicate isn’t unbiased about finding and mastering weapons–it’s also about finding and mastering yourself. And while cartoons that moralize really rub me the noxious diagram, I approve this time. The characters learn to catch the rational device to come a dilemma, and even better, think how their acquire strengths and weaknesses factor into a region. A presence of forethought, more than skill or luck, is responsible for the kindly guys’ victories. That’s what sets Xiaolin Showdown head-and-shoulders above most other kid’s shows.
Speaking of forethought, it has a handsome absence in the monks’ adversary Jack Spicer, who is now my modern approved ‘villain’. If this note was done live-action, I’d accuse Jack Spicer’s actor of stealing the expose. A cape-swirling, self-styled “Inappropriate Boy Genius”, Spicer builds armies of robots, grins and rants, chickens out, gloats and whines about the pitfalls he encounters on his lonely path to greatness. Lustrous yet foolish, egotistical, star-struck, greedy and impulsive, he is Daffy Duck trying his best to be Ming The Merciless. He’s not distinguished of a villain, but a perfect troublemaker and hilarious to observe. He’s too haphazard–and a bit too nice–to be the inappropriate genius he wants to be, but when he gets his act together, search for out. He has a tiny knowledge, and it’s risky.
But Jack Spicer never stops to believe about anything, and this begins and ends with him being chewed out by his ghostly sidekick, Wuya. Wuya is the squidlike, floating spirit of an old-fashioned witch, who has teamed up with Jack Spicer for lack of a better partner. She’s the brains of the outfit, but very distinguished hampered by the fact that she’s not solid and can’t do things for herself. She can’t force Spicer to do anything, fair scream and egg him on, and she would clearly fancy to smack some sense into him.
None of the villains can gather along with each other when they team up, and they double-cross, back-bite and dump each other constantly. The importance of compassion and teamwork is drawn clearly here–if you can’t accumulate a arrangement to work with others, you’re not going to find anywhere. And the suited guys also do less-than-admirable things to each other, out of jealousy or exasperate, with similar results. Honest *saying* they’re ‘good’ is not wonderful enough; the heroes have to learn to drag their talk.
The series explores the belief that humans are neither totally beneficial nor totally poor, and yes, I know, it’s fair a simplistic cartoon…but the results are delicate captivating. Obvious characters inappropriate the good/evil line in either direction, and inquire of each other or themselves on their right natures, especially after Volume One. This is the main reason WB needs to near out with Volume 2 on DVD. Ahem.
You can probably relate that I judge this point to goes beyond battles, but the fights are grand too. When two people want to claim the same artifact, a Xiaolin Showdown is declared and the combatants fight using whatever artifacts they already have. But that, to me, isn’t the fascinating part; the battlegrounds are. Declaring a Showdown suspends the laws of reality while it’s fought, and everything changes to a surrealistic landscape that never fails to amaze me with it’s sense and creativity. These showdowns assume station in set, in giant pinball machines, in a forest of impossibly vast trees–even a popular haystack gets a fever-dream makeover. I admire these sequences and, frankly, always wish that the animation was higher-quality so I could relish it even more.
Well, that’s enough. It’s a really qualified explain with heart, brains, humor, a believable theme, magic bright things and robots and stuff. Hang on for a suited wild traipse.
I must admit, when i first saw Xiaolin Showdown I couldn’t understand a word. Now it is one of my favorites!! I worship how Jack Spicer is radiant, and yet a fool. Also, I like how Omi can’t talk good. Next, Clay’s southern accent and metaphors are hilarious! Raimondo I like the most because he is always the one making jokes. And Kimico is a girly-girl, but in battle, she is fierce. Don’t judge this cartoon is all humor, it is also logical. Acquire this DVD and peek the prove on cartoon network!!!
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The Eclipse Theatrical Rental Sale-$6.99!
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The Eclipse Theatrical Rental Sale-$6.99!
Compare & Purchase The Eclipse Theatrical Rental at Amazon by clicking here! List Price: —- Amazon Price: $6.99 |
The Eclipse Theatrical Rental Description:
- Amazon Sales Rank: #991 in Movie
- Released on: 2010-02-26
- Rating: R (Restricted)
- Running time: 88 minutes
Customer Reviews:
Jump out of your chair
It took me about six viewings before I stoped jumping out of my chair at the ghost scenes. Celebrated Irish actor Ciarin Hines is a fantastic lead character, Michael. Paring him with Iben Hejejle was an inspired match. His humanity and her warmth kept me routing for a connection. The heart thumping kissing scene did not let me down. Aiden Quinn played a great selfish, drunk,jerk,Named Nicholous. I could not stand the guy. I hope it makes it to my small town so I can see it on the big screen. Im sure the video download was only an apetiser. Enjoy, RoseAnne
Death to Smoochy Movie Streaming
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Death to Smoochy Movie Streaming.
Movie Title: Death to Smoochy Death to Smoochy is available for streaming or downloading. |
This movie is a prime example of why I never listen to professional critics. Most of the time, they disfavor movies that I admire and savor movies that I detest. Of course this movie isn’t going to score any Acadamy Awards. Of course it isn’t the best film ever. It’s not trying to be. I found “Death to Smoochy” to be a unlit and engrossing comedy with a really creative memoir. Robin Williams and Edward Norton star in this off-the-wall freak demonstrate directed by Danny DeVito.
Williams stale to be “Rainbow Randolph;” a kiddie-show host who children honest adored. That is, until he was busted for taking a bribe. Now the not so rainbow man is out of the job and is homeless. Out of an act of desperate measures, the company decides to hire Edward Norton; a dorky self-righteous dweeb without a single skeleton hiding in his closet. A unusual kiddie-show host is born, and his name is “Smoochy the Rhino.” Well, Rainbow Randolph is not joyful at all. In fact, he’s willing to pick the rhino down for great. Because he’s going hunting! The anecdote unfolds with some of the most irascible twists and turns to be seen in a comedy in a long time.
The acting is really valid, and is honest for this type of movie. Williams is over-the-top as always, and Norton really gives us the impression of such a proper imbecile, he makes Ned Flanders peruse like a no noble hoodlum! The cast also inculdes Jon Stewart, Catherine Keener, and Danny DeVito himself. They all do this movie justice.
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The directing by DeVito really shines in this movie. Had it been given to anyone else, it could’ve been a pain. He knew when to have the actors capture it up a notch and then tone it down when the time was factual. I also really liked how the movie was filmed. At one dinky, the movie would be incandescent and lustrous, and then black and grim the next. It really keeps the viewer’s attention.
The DVD is quite profitable. Very surprised with it. As I said before, Warner Bros. usually likes to enjoy befriend when it comes to special features, but there’s a lot on this one. Some of the features include commentary from the director and director of photography, additional scenes, bloopers and outtakes, trailers, and many more. I especially got a kick out of the bloopers and outtakes. Unbiased wished it was a diminutive longer.
So, if you’re looking for an artistic movie or one that’s going to earn a few Oscars, then skip this movie. If you’re looking for an off-the-wall black comedy with a creative spot and yarn, then “Death to Smoochy” unprejudiced may be the movie for you. Yes, I feel there could’ve been things done to manufacture the movie better, but I was really ecstatic with the overall product. A very unusual and bizarre movie it is, but that’s the kind of movie I like.
This movie stars Edward Norton, is there anything more that can be said? 
It’s so nice to explore such wonderful diversity in an actor’s characters. (If you want to know what I’m referring to, honest go behold American History X and then Death to Smoochy) .
Buy,Download, Or Stream Death to Smoochy! Click Here
Buy,Download, Or Stream Death to Smoochy! Click Here
“I contemplate you’d have to be wired device too tight not to be able to laugh at this movie. It’s able to give you a sad chuckle on an adult level and satirize things in a sophisticated intention.” -Edward Norton
Sure DTS’s humor may be a tiny juvenile at some times, but it’s nevertheless hillarious.
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Highly recommended, if nothing else observe it for Edward Norton, he gives a large performance (as always) and his character (Sheldon Mopes) is a nice change from the usual.
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The Sisterhood of the Traveling Pants-Retail —-! Sale Only $2.99!
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The Sisterhood of the Traveling Pants-Retail —-! Sale Only $2.99!
Compare & Purchase The Sisterhood of the Traveling Pants at Amazon by clicking here! List Price: —- Amazon Price: $2.99 |
The Sisterhood of the Traveling Pants Description:
- Amazon Sales Rank: #2580 in Movie
- Released on: 2008-12-01
- Rating: PG (Parental Guidance Suggested)
- Running time: 119 minutes
Customer Reviews:
Friendship is in Their Jeans
The impression that “The Sisterhood of the Traveling Pants 2″ gives is that it’s a bubbly, bright, and–for all intents and purposes–meaningless sequel to the first film. To my relief, it follows the example set by its predecessor, a surprisingly levelheaded friendship story. Four years after discovering a magically fitting pair of jeans, best friends Tibby Tomko-Rollins (Amber Tamblyn), Carmen Lowell (America Ferrera), Lena Kaligaris (Alexis Bledel), and Bridget Vreeland (Blake Lively) have returned for a second chapter that remains on perfectly equal ground with the first, focusing on coming-of-age issues like maturity, self-discovery, family, and love. Unoriginal ideas? Maybe so, but that doesn’t mean they’re any less effective. If anything, they make the film’s message that much clearer. It helps that many of the girls’ problems are based in reality–high school issues, like being pretty and popular, are pushed aside in favor of adult issues, like pregnancy scares and family crises.
If there’s anything we learned from the first film, it’s that the magic of the titular jeans was symbolic; by in large, the girls worked through their own ups and downs on their own, with no miraculous intervention other than their friendship with one another. We learn pretty much the same thing in this film, which sees each character facing new, more mature challenges. Let’s begin with Carmen, who doubles as the film’s bookend narrator. She now attends Yale, working as a stagehand for the theatre department. Her mother (Rachel Ticotin) has since remarried and is now pregnant with her second child. When Carmen’s hopes of spending the summer with her friends are dashed, she decides to join a Shakespearian theater company in Vermont with a prima donna named Julia (Rachel Nichols). Once there, a British actor named Ian (Tom Wisdom) coaxes Carmen into auditioning for “A Winter’s Tale”; to her shock–and to Julia’s horror–she’s cast as Perdita. As rehearsals continue, she begins to fall in love with Ian.
Next, there’s Bridget, who plays Soccer at Brown University. Lately, her interests have shifted to archeology. While on an expedition in Turkey, her instructor, Professor Nasrin Mehani (Shohreh Aghdashloo), opens her eyes to the fact that she’s only running away from her past. Bridget, it seems, is still haunted by the suicide of her mother. And her relationship with her father (Ernie Lively) is worse than ever; before leaving for Turkey, she discovered a box full of letters her grandmother had written her, letters her father wanted to keep hidden. Returning to the United States, Bridget takes a bus to Alabama and finally meets her grandmother, Greta (Blythe Danner), an accommodating woman with a matter-of-fact outlook on everything, including her daughter’s mental illness.
The next in line is Tibby, who continues to pursue her filmmaking dreams at NYU. Forced to stay in New York for the summer to rewrite her screenplay, she gets a job at a local video store. She’s now dating Brian McBrian (Leonardo Nam), who was introduced in the first film as the “Dragon’s Lair” champion. When their relationship is threatened (for reasons I won’t reveal), Tibby begins to wonder if she was meant for happiness. She does put up a wall every time she gets close to someone, and that’s because, deep down, she believes that those you love the most will eventually abandon you. Her attempts to get sympathy from Carmen are flatly rejected; she doesn’t appreciate how uncommunicative Tibby has been all summer.
Finally, there’s Lena, who attends an art college in Rhode Island on a scholarship. Heartbroken after breaking up with her Greek boyfriend, Kostos (Michael Rady), she reverts to her old timid ways. She then meets Leo (Jesse Williams), the male model hired to pose nude in her art classes. It isn’t long before they fall in love, although we suspect it’s for all the wrong reasons. All she really knows about Leo is that he’s a nice guy, and he’s incredibly handsome. But does she know what she wants out of life? Does she even know who she is? How can know she when she’s torn between two men?
Naturally, the pants themselves have to play a part in this story, and indeed, they’re continually FedEx-ed from friend to friend. The question is: Do any of them need the pants anymore? You’d think that, at this point, a pair of old jeans traveling the world would reveal itself as a big metaphor. They may realize that by the time the film ends. I’m not entirely sure, though.
Moments of this movie are perhaps a little too sentimental, and the general plot may be a little too formulaic. At times, the dialogue is a bit contrived. Consider this conversation: When Tibby says drearily, “I suck at relationships. I should have been a guy,” Lena calmly responds, “A guy wouldn’t care about sucking at relationships.” Only best friends in a coming-of-age story could get away with lines like that. Then again, I never expected a reinvention of the wheel. Movies like “The Sisterhood of the Traveling Pants 2″–and its predecessor–are aimed at a very specific audience, namely teenage girls; if they can get something out of it other than the sight of four young women looking pretty, if they can leave the theater understanding the more complex aspects of the story, then the filmmakers can include all the predictable dialogue they want. I think this movie will get the job done, not merely for teenage girls, but for anyone open to the idea.
The Sisterhood of the Traveling Pants grows up pretty quickly in this sequel
First of all, it is certainly an interesting experience to be the only guy in the theater for a movie like “The Sisterhood of the Traveling Pants 2.” At least I was not the oldest person there, and while that person was my date at least we could take comfort in knowing that we have both read all four of Ann Brashares’ novels about the “Sisterhood,” and therefore were entitled to be there with all the young folks. Screenwriter Elizabeth Chandler (“What a Girl Wants”) is working mainly from the final book in the series, “Forever in Blue: The Fourth Summer of the Sisterhood,” which means that Tibby (Amber Tamblyn) has a pregnancy scare in New York City, Carmen (America Ferrera) is doing a Shakespeare play in Vermont, Bee (Blake Lively) is on a archeological dig in Turkey, and Lena (Alexis Bledel) is drying to figure out how to draw a nude male model. However, some key elements from earlier novels are worked in the story, specifically Lena finding out Kostos is married and Bee meeting her grandmother from “The Second Summer of the Sisterhood,” and Carmen’s mother having a baby from “Girls in Pants: The Third Summer of the Sisterhood” (to be clear, the movie tie-in paperback being published as “The Sisterhood of the Traveling Pants 2″ is the fourth book, “Forever Blue” and not the book about the second summer).
Having read the books can be a key factor in enjoying the movie because things move really quickly and fans of the series will constantly be filling in gaps. The best indication of how fast things move is that when Bee goes to Alabama her grandmother (Blythe Danner) immediately reocgnizes her, so they forgo the entire bit about Bee pretending to be Gilda. The biggest element missing from the final book is Bee’s romance in Turkey, but the decision to create a new character, Shohreh Aghdashloo as Professor Nasrin Mehani, is a good move because it places the emphasis on Bee coming to terms with her mother’s suicide, which was arguably the most important thing that happened to her in the four books. Additionaly, following Tibby’s pregnancy scare with having to be in the delivery room with Carmen’s mother added an additional resonance to Tibby’s story.
Circumstances have certainly changed for the four actresses since the release of “The Sisterhood of the Traveling Pants” three years ago can simply be expressed by noting that when the first movie came out Tamblyn was doing “Joan of Arcadia” and Bledel had “Gilmore Girls,” and now those shows are done and Ferrera with “Ugly Betty” and Lively on “Gossip Girl” are currently in the front seat of American pop culture. There was reportedly some reluctance to get the band back together for this second film, but at least everybody got to go to Santorini this time around and watch Bledel freckle. However, the main thing I noticed in this second movie is that Amber Tamblyn is clearly the best actress in the bunch, which is saying something if you have seen Ferrera in “Real Women Have Curves.” But this is Tamblyn’s movie and most of the best moments (and virtually all of the good lines) belong to her.
The other thing I noticed is that the guys in this movie are all good guys. Brian (Leonardo Nam) is everything Tibby is not, which is exactly what she needs, Ian (Tom Wisdom) is the proverbial Prince Charming for Carmen, and the only downside for Lena choosing between Leo (Jesse Williams) and Kostas (Michael Rady) is that one of the two does not believe there is one person who everybody to love, which is not exactly a deal breaker. The only really villain in the proceedings would be Carmen’s supposed friend, Julia (Rachel Nichols), but that just underscores the point that the girl’s are in many ways their own worst enemies. Their faults, dear readers, lie in themselves more in than others, and for the Sisterhood actualization truly comes from within. Again, because the film is covering so much, flipping from character to character as the Traveling Pants make their appointed rounds, there is a sense of sketching characters and connecting dots. Not knowing the back stories, which are necessarily reduced to assumptions without the benefit of actual exposition, can put viewers at risk for enjoying this summer of 2008 film. Director Sanaa Hamri made her mark directing music videos, so at least she has an appreciation for having to be concise in her scenes. The net result is not a great film, but certainly a satisfying one for the Sisterhood readership.
A male point of view
I watched this movie as a favor to my wife (she agreed to watch Batman). First of all from a male standpoint, this was definitely a chick flick and I went into it with dread. A story with no car chases, fights, foul language or nudity, how was this going to keep my interest? What you do get is a touching story of 4 young ladies that are life long friends that have moved on and now for the first time are experiencing things on their own for the first time. They each have their own growing pains and find life on their own is more difficult than thought. What ties them together and eventually brings them back together is a pair of pants (see the first movie for more on this). Of course the movie is filled with cliches and is a bit sappy, however at the end of the longest two hours of my life I was still alive and deep down the movie was not as bad as I feared.
Watch High Plains Drifter Online
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Watch High Plains Drifter Online.
Movie Title: High Plains Drifter High Plains Drifter is available for streaming or downloading. |
“High Plains Drifter” (1973) is one of the best and most recent westerns of all time. It is also of of the best films that Clint Eastwood has ever made. It was only the second film that Eastwood ever directed, yet it is a western masterpiece, as it funnels all of the violent, harsh, and brutal images and themes that were first seen in the Sergio Leone spaghetti westerns (which made Eastwood an international star) into one report. No other film blurrs the lines of profitable and obnoxious like this one. No other film has humor that is so murky and so dismal. No other film tests and re-defines the nature of shroud heroism, as Eastwood plays his darkest and most enigmatic character ever. This film strips the western to its most brutal, raw, violent, and merciless essence, revealing the outmoded West to be a truly inferior and deplorable land. Eastwood’s compulsive, surrealistic imagery is both haunting and worthy, and it works in pefect tandem with Dee Barton’s eerie collect. Filmed around Mono Lake, California, the hellish locations of the film add to its haunting atmosphere. The western town, constructed by Henry Bumstead out of raw wood is a classic, and helps to state the mean-spirited hypocrisy and vicious economic determinism of the townspeople. The film has an unexpected, spontaneous, and completely anarchic quality that eliminates the western’s typical predictablity and simple cliches. It is extremely animated, unnerving, apparitional, allegorical, and curiously memorable. This is Clint Eastwood at his most bold and atrocious, as both an actor and director, testing the audience to sight if it will relieve this most radical of anti-heroes. “High Plains Drifter” is my accepted film of all time, and it is not to be missed! END
In this classic western, Clint Eastwood performs admirably as producer, director and of course starring in the lead role. High Plains Drifter is an obedient anecdote that highlights Eastwood’s talents in this genre, whether it’s his “Stranger” type aura or the clipped but poignant lines. This colossal western has a ample script and exceptional performances by Eastwood and the other actors. Its surreal style, unexpected residence twists and astronomical camera angles assist well to enhance this movies overall appearance. I do not normally comment on the soundtrack for films however, in this case I feel compelled to because I felt the soundtrack for this one is a perfect accoutrement to the overall feel of the movie!
The premise:
A lone stranger rides into town and is immediately place upon by some of the locals. Unfortunately for these rough locals, they’ve picked the star of the movie in Clint Eastwood to aggravate and they receive his like a flash six shooter justice for their efforts. The locals, being a cowardly bunch, eagerly space out to appease him in every map in order to find his loyalty and protection from a group of criminals who are soon to be released from the territorial prison.
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The “Stranger” agrees to be their benefactor and immediately sets out to do so in some unusual ways. Through humiliation, misogyny and the threat of immediate “justice,” he begins to prepare the town for return of the criminals. As a surreal side impress, the Stranger and some of the locals are having waking nightmares about the brutal killing of the customary marshal by the criminals who are expected to return. What follows is a western that is one of the best and a benchmark for all westerns to follow.
I highly recommend this gargantuan Eastwood western to any and all die hard or casual fans of the genre or the actor. It is a classic western that deserves a location on the DVD rack.
Special features:
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Not unlike many of the other movies of the time, this one isn’t pickle packed with special features because there unprejudiced aren’t many to throw in. It does have a ample trailer and some production notes that are quite though-provoking to read through on the cover. {ssintrepid}
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The Game Plan Movie Streaming
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The Game Plan Movie Streaming.
Movie Title: The Game Plan The Game Plan is available for streaming or downloading. |
Having grown rather tired of this fall’s onslaught of violent R-rated films, this movie is a welcome change and it’s better than you might consider.
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Of course, there is nothing fresh about this film. We have another action actor who wants to exhibit he is something more than that. We’ve experienced this when Arnold went from The Terminator to being a Kindergarten Cop, when Clint Eastwood pause being Dirty Harry to become Every Which Design but Loose, and Vin Diesel gave up being The Quickly and the Excited to being The Pacifier. Now Dwayne “The Rock” Johnson wants us to forget his action hero residence for a more family splendid guy in “The Game Notion” by Disney.
This film has all the feeble “fish out of water” cliches you can imagine and humorous humor that is a staple in all Disney live action films; however, most are forgivable here. The “fish out of water” element is handled well-enough although very predictable. As the characters grow, it is also quite touching. I plan the humor was of the “hit and miss” variety. Miss: child lost in bubble bath. Hit: allergy to cinnamon. I have to say though in all fairness that the hits are hysterical and overshadow the misses (as annoying as they are) .
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The residence is relatively simple in that a self-obsessed football hero is suddenly saddled with a child he never knew he had; however, and I won’t spoil it, there are some very attractive twists to this position up that are not as predictable as most of the other elements in this film. Most character in this film are stereotypes that don’t development and, quite frankly, don’t need to. It’s The Rock’s character that needs to grow and he does and does so in a surprisingly believable manner.
Dwayne “The Rock” Johnson has been a better actor than he’s been given credit for being. I feel distinguished the same blueprint about Vin Diesel. Both of these novel action stars have proven themselves in a number of films and with both now having ventured into family comedy, they are growing as actors. The Rock in this film is really quite a surprise in that we learn that not only can he absorb a tune nicely, he does a delicate buy on Elvis’s “Are You Lonesome Tonight”, but he is also an accomplished enough actor to yowl on cue. Yup, you read that proper! It is not a digital effect; he actually cries on cue without a crash or cutaway in the remove to add unfounded tears. I was rather impressed with that.
I was also impressed with the surprising humorous performance turned in by Kyra Sedgwick (TV’s “The Closer, and A.K.A. Mrs. Kevin Bacon) . She isn’t over-the-top defective like Glenn Stop in 101 Dalmatians & 102 Dalmatians, but she is malicious and has a gift for delivering fleet one-liners. She is completely savory in her horrible exiguous role here.
This light fare is a surprisingly better film than I expected and it’s #1 opening at the box-office suggests that I’m not alone in that evaluation. Prefer a demolish from the sex and violence currently splattering in our multiplex and go devour a film with your whole family that might proceed you more than you might inquire it to.
Dwayne “The Rock” Johnson has had his aesthetic fragment of battles in the wrestling ring. He was also a share of the Miami Hurricanes football team. He combines the giant ego of “The Rock” in WWE and his football skills to make Joe Kingman, a pro football player who’s got everything but a championship ring. He even has something that he doesn’t know he has–a daughter. On top of his game, his ego crashes hard when young Peyton (Madison Pettis) shows up at his front door. Never having any sort of responsibilities before, Kingman tries to juggle his football career, his high profile lifestyle and his fresh daughter. All the while his agent, a devilishly comic Kyra Sedgwick, tries to figure out if diminutive Peyton is the steady deal, or impartial another opportunist trying to derive her hands on a share of the Kingman pie. Will Kingman win his priorities straight, or will he succumb to the speedily and easy lifestyle his lived for so long?
Rosalyn Sanchez heads up a solid supporting cast of actors and actresses who you may not be familiar with (excepting Morris Chesnut, playing a solid father-figure teammate) . The chronicle is generic and highly unoriginal, but the solid performances of the entire cast and the wholesome, family-geared direction do this account more than marvelous of four stars. Everybody, even the quasi-villain Sedgwick, is likeable. Johnson shows his singing chops that wrestling fans will already be familiar with. He also has that million-dollar smile that lights up the conceal. Young Pettis steals most of her scenes, even though she could be accused of boosting the sugar enlighten a bit too mighty at times. Johnson’s teammates are also luscious to witness on the conceal. Their chemistry with Johnson, each other and with young Pettis is vast.
If you long for the days of sugary Disney live-action family features such as the novel “Herbie” films and “The Apple Dumpling Gang,” “The Game Conception” is a welcome treat. It’s a rare family comedy that the entire family will luxuriate in. Highly recommended.
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Stream Night of the Living Dead Movie Online
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Stream Night of the Living Dead Movie Online.
Movie Title: Night of the Living Dead Night of the Living Dead is available for streaming or downloading. |
The five star rating I gave Night of the Living Lifeless is, of course, for the novel, uncut, unadulterated edition. The unique is, quite simply, the most horrid movie I’ve ever seen, even when compared to dread classics like Diabolique (the unusual French version), Psycho, Rosemary’s Baby, Halloween and The Luminous. I saw NOTLD when I was 9 years conventional on Creature Features at midnight after a funeral. I had nightmares for the next two nights. The film smooth gives me the chills whenever I peek it (usually at Halloween) .
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When the 30th Anniversary Edition came out, I bought it on VHS as I was captivating to behold what they termed as “fresh footage.” What I got was a disagreeable mess that butchered the new film, removed the novel music for a abominable synthesizer bag and added pointless footage that makes the viewer want to grind his teeth down to the gums. One of the additions is a unusual character: a fire and brimstone preacher. While the acting in the unique is amateurish, at best, the “actor” who plays the preacher makes the unusual cast contemplate like Oscar winners by comparison. He snarls, and howls and gnashes his teeth like he has rabies. Even more ridiculous is the extra footage of Bill Hinzman — the “cemetary zombie” in the modern. The extra footage shows Hinzman’s character emerging from the grave, then cuts to the modern 1968 opening footage with Judith O’Dea and Russell Streiner. It’s absolutely ridiculous as Hinzman looks 30 years older in the novel footage. In addition, there are more zombies and a current ending to the film that makes no sense whatsoever. This “unique” version is a part of trash that desecrates the most monstrous film of all time. Avoid it like the plague!
ORIGINAL VERSION: *****
30 Anniversary version: No Stars
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This review pertains only to the Millennium Edition DVD of Night of the Living Monotonous.
Buy,Download, Or Stream Night of the Living Dead! Click Here
Okay…as I’d feared, my negative review of the John Russo-massacred “30th Anniversary Edition” of Night of the Living Lifeless has been lumped unwittingly into this product’s review, so I’ m writing this one to justify.
This DVD edition is the best edition I’ve seen of the film yet. Anchor Bay may have raised the ires of legions of Living Listless fans by releasing the sacrilegious 30th Anniversary Edition, but Elite Entertainment did apt by this fresh edition.
George A. Romero’s personal appreciation appears in the support of this DVD — this immediately restores our faith. And the contents don’t disappoint — the represent and sound are noble, and though this doesn’t exactly beget the richest batch of bonus materials (sets like the marvelous 3-disc edition of Dario Argento’s Suspiria and the original double-disc Re-Animator both feature loads of extras), it is a nice solid collection. You pick up a Duane Jones interview (sadly with only audio and no image, but unruffled mammoth) ; an on-camera chat between Judith Ridley (Judy) and Marilyn Eastman (Helen) ; the hilarious student-film spoof “Night of the Living Bread” by Kevin S. O’Brien (which also appeared in the double-cassette VHS edition) ; two commentary tracks with Romero, Russo, Russ Streiner, Eastman, Karl Hardman and others. One very illuminating share of this DVD for non-film-scholars is visually tedious but informative — several histories outlining the beginning of Romero’s Latent Image company, on Hardman and Eastman’s company, and how the two were married to make Night of the Living Insensible.
Buy,Download, Or Stream Night of the Living Dead! Click Here
THIS is the true edition of Night of the Living Tiresome, the one to rep for both fans and non-fans alike. It includes all the distinguished people (observe that Russo, Streiner and Bill Hinzman were included in this release, despite their criminal participation in the 30th Anniversary Edition), and it presents the film the intention it wants to be seen.
Now I’m waiting for a deluxe release of Dawn of the Wearisome and Day of the Lifeless…
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Buy American Gangster At Amazon!
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American Gangster
Product: Buy American Gangster At Amazon! List Price: —- Amazon Price: $9.99 Add to cart to see low price@ Availability: In Stock Usually ships in 24 Hours Free Shipping Available |
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- Amazon Sales Rank: #19381 in Movie
- Released on: 2009-12-09
- Rating: R (Restricted)
- Running time: 158 minutes
A Superb Film That Exceeds Expectations
This viewer rented the DVD form of AMERICAN GANGSTER, having passed it by in the theatrical run, thinking that it was yet another ‘crime and corruption in New York’ genre film. It was surprising to discover that this very long film (just under three hours in the Unrated version) is completely riveting and in a way far different than the usual gangster film: this story, based on real people as outlined in an article by Mark Jacobson (transformed for the screen by Steven Zaillian), and while it has its share of grisly killings, it seems more concerned with the issues of integrity in the face of police corruption as embodied in the character of Richie Roberts, the etiology of the heroin use escalation following the Vietnam War, and the presence of a ‘Black Mafia’ lead by one Frank Lucas. It is delivered with compelling gusto and intelligence by director Ridley Scott and has some of the best acting of the year. In other words, this is not a film to be lightly dismissed as a Hollywood retread, but instead it is a tense drama with many very fine points.
Frank Lucas (Denzel Washington) follows the footsteps of his idol Bumpy (Clarence Williams III) who ‘ran’ the Harlem streets, and when Bumpy dies, Lucas inherits his mantle. Lucas is wise, cunning, a gentleman, a powerhouse of ideas, and quickly finds a way to bring the best uncut heroin from the Far East to the streets of New York at a price that undercuts the other mobsters’ product. To establish his control he enlists his family, including his brother Huey (Chiwetel Ejiofor), and rapidly becomes the kingpin of the streets.
Simultaneously within the NYPD we meet Detective Richie Roberts (Russell Crowe) whose personal life is a mess but who, with his partner Lou (Ted Levine) discovers corruption in the NYPD and more particularly the Drug Enforcement sector of the police: Detective Trupo (Josh Brolin) works with the existing drug lords, grabs their drugs and money and then recycles both to his benefit. During a particular drug bust, Richie and Lou discover a stash of nearly a million dollars and turn the money into the police – a deed that makes the duo seem foolish and lose the respect of their fellow cops but establishes Roberts as a man who is committed to being a good detective.
From these two separate studies the film weaves the development of each character and the interaction between Roberts and Lucas we know will take place. The end result may be known to those who followed the story as it developed in the 1970s, but for those for whom this true story is new information, the resolution of the film is fast-paced, thrilling, illuminating, and just plain fine cinema. Both Washington and Crowe are in peak form, as are those in the many small roles (Ruby Dee, Chiwetel Ejiofor, Josh Brolin, Lymari Nadal, Carla Gugino, Cuba Gooding etc). This is more of a drama than an action film and while many may feel the final moments of the movie are weak, they do reveal the true ending of the story and say a lot about the narrow line between crime and criminal investigation. This is one of Ridley Scott’s most successful films and one that will be around for many years as a model for the medium. Grady Harp, February 08
So much story that the end is…
I guess I didn’t find the value with this film that others did. With that said, I’m glad so many others did enjoy it. I almost wonder if I was in a bad mood when I watched this film, like perhaps something was distracting me. The story, I felt, was interesting but at the same time really nothing spectacular or different. The reason I say that is because overall, the pacing of this film is what I thought was way off. After twenty minutes, I was wanting to rename it “Harlem Drug Dealer”, finding the title itself really too broad. Maybe I’m used to a gangster being an image of a man in a suit spraying a 1930′s model Chevy with a Tommy gun, so I’ll leave the title be.
Denzel Washington and Russell Crowe are two of the best actors around today, but I almost felt like Denzel Washington was miscast for this role. From my own readings, Frank Lucas was much more sinister and prone to outbursts than the calm, often jovial portrayal Washington showed of him in the film. Of course, this isn’t necessarily Washington’s fault, I just almost felt like he didn’t fit the role, and considering the man can play just about anything, maybe I again, was missing something.
Back to the pace and story of the film, I thought they seemed to rush the whole smuggling operation from Vietnam way too much, giving just glimpses of the idea and execution of the operation before rushing back to bust down doors in the United States. One of the most poignant parts of this story is who else was actually indicted for the crimes involved, but at the end of the film this part seemed to have neither surprise nor heavy impact. The “fast forward” part at the end of the film was at first interesting, but by the time it was over I wondered why they had even bothered. Maybe you just had to be there. More often than not, Ridley Scott films are a hit and miss with me, but if you enjoy crime dramas based on a true story, American Gangster just might be to your liking.
-Leo Navarr-
American Gangster – Awesome and Tragic (Spoiler Free Review)
American Gangster 2-Disc Unrated Extended Edition
In American Gangster Ridley Scott has created the perfect storm of an American movie masterpiece. An amazing group of actors, headlined by Denzel Washington and Russel Crowe, produces a very convincing period piece of 1970s New Jersey and New York and the crime culture that existed there. It’s hard to feel anything but shame watchig this movie. This movie is both believable and tragic, and it startles me that neither Crowe nor Washington received nominations for two incredible performances.
The Story and the Script
The story is supposed to be based on the real life exploits of Frank Lucas. Movies like this usually exaggerate. The fact that this movie is so believable makes it all the more tragic. There are no black and white characters and we are left to choose between murdering drug pushers and crooked cops.
The writing and the story structure are both excellent. The plot is developed slowly and masterfully. While there is less shooting and action than one would expect from such a tale, the movie is filled with drama and suspense.
Cinematography
They have managed to create a period piece here that is beautiful, gritty, real and romanticized. The framing of the actors and the skylines are beautiful. Much of the scenery and shots are darkly lit. This is most often used in the scenes with the police in their shadowy research rooms, clearly to juxtapose them against the Lucas empire, almost always shown in the light.
The first disk in the unrated edition is in a beautiful widescreen. Don’t know why they list this as full-screen, perhaps because there is a full screen version available on the other side. The
Acting and Direction
I don’t know whether it’s award winning acting or directing that makes the end result so good, but I would be willing to guess that it’s both. Denzel is steady and appears to be taking on a similar persona in his recent films. Crowe is more fantastic than even his normal performance, portraying the troubled police investigator caught between a crime ridden New York / New Jersey and the even more criminal Special Investigative Unit.
All the acting is great, and this movie could easily have won for best ensemble cast. Josh Brolin is solid in a limited though well executed part. The directing is textbook mastery.
Bottom line, this movie should have gotten nominated for best actor, best supporting actor, best direction and best picture. It probably should have one a few of those categories. Michael Clayton, Eastern Promises? Give me a break.
The nominations for art direction and for Ruby Dee as best supporting actress in a very limited role were not enough compared to the strength of this movie.
Features and Extras
The unrated extended edition has an entire disk of special features. The making-of extra is not just a featurette, it’s a feature-length documentary. You get an in-depth look into every aspect of the film’s creation.
There are also three in depth “case-files” on film research, script adaptation and police techniques.
The deleted scenes include an alternate opening sequence. Finally, the theatrical trailer includes writer and director feature commentary. A very nice set of extras indeed.
Conclusion
This is absolutely a masterful , one of the best this year. This DVD needs to be added to your collection.
Enjoy!