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1408 Review. Compare & Purchase 1408 at Amazon by clicking here! List Price: —- Amazon Price: $2.99 Click Here To Purchase At Amazon!

1408 Description:

• Amazon Sales Rank: #2456 in Movie
• Released on: 2010-01-02
• Running time: 113 minutes

Customer Reviews:

An above- average, atmospheric horror thriller
1408 is one of the best film adaptations of a Stephen King story, and is highly atmospheric. I too am growing weary of movies masquerading themselves as horror films these days, when all they offer are ludicruous plot lines and excess gore, violence and gratuituous sex.

By comparison, 1408 exceeds all expectations when taken for what it is – an intelligent horror movie that despite being rated a tame PG-13 delivers chills, thrills, and a strong performance by its lead actor, John Cusack, as well as a good supporting role by Samuel L Jackson. The story centers around a jaded author, Mike Enslin [John Cusack] who pens ‘true horror’ books but is actually a skeptic who doesn’t believe in the afterworld or entities associated with it. He receives a cryptic postcard one day that tells him ‘Do Not Enter 1408′ -being a room in the Dolphin Hotel in NY, where Enslin has left behind a painful past.

The rest of the movie picks up pace very quickly and viewers are in for a thrill ride as Enslin manages to overcome the protestations of the hotel manager [Samuel Jackson] and spends the night in 1408, which has one of the grisliest & bloody reputations in the annals of hotel history. Enslin finds his skepticism melting in the face of the unbelievable horrors he faces in 1408, and struggles to keep his wits about him to survive.

The horror in this movie is very palpable – there is no gore or excess violence, but there’s a pervasive sense of menace and evil that sends chills down one’s spine, and a couple of jump-out-your-seat moments[not to mention a couple of plot twists]. But what truly lifts this movie is the strong & riveting performance by John Cusack. The whole movie basically revolves around him and it is amazing to watch an actor bring so much depth to his role as well as portray a feeling of alienation, isolation and paranoia as Enslin tries to face his fears in 1408.

I am a fan of atmospheric horror movies, and 1408 ranks as one of my favorite horror movies [ The Haunting, Changeling, Rosemary's Baby, The Shining being some of my other favs]. If you’re a fan of the horror genre, or simply a fan of psychological drama & thrillers, then 1408 should please you.

A Good Movie Made Stronger By Masterful Pacing…
My wife and I went to see 1408 the other night. It was a birthday gift–otherwise she’d never have gone. She hates horror movies.

Interestingly, we both ended up enjoying the movie.

I read (or should I say listened to?) the short story prior to seeing the movie. Much like I prefer the movie version of the Shawshank Redemption, I prefer the movie version of 1408.

John Cusak is great. He usually is. Samuel Jackson gives a wonderful performance. Whoever the little girl actress is–she also did a remarkable job.

The ending rocks (I promise I won’t spoil anything).

What makes this movie a little stronger than most horror fare is this:

1. The pacing is great. Things never go over the top by being too intense for too long. This has been a big issue in horror films lately. They lose their suspension of disbelief from too much emotional weight. I don’t know about you, but I find myself mentally withdrawing from such stories to come up for air. When I re-engage, much is lost.

2. Speaking of suspension of disbelief wreckers…there is very little gore here. In this movie, when gore does come, it usually comes in the old photos. I feel this lack of abundant gore strengthens the pyschological impact of the movie as a whole. It also prevents the movie from turning plain old silly like recent gore-fests along the lines of The Hills Have Eyes.

While this is not my favorite Stephen King adaptation–Shawshank still reigns there–1408 is a solid, intelligent and emotionally resonant movie. You will not be wasting your money if you go to see this over the 4th of July holiday.

I give 1408 a strong recommendation.

PS- This also gets the award for best use of a Carpenters song in a horror film since In the Mouth of Madness.

Great movie… wrong ending. This is not what you saw in theaters!
First things first. This is one of the best horror movies I’ve seen in years. I’m happy that three of my favorite, recent horror films (1408, EXORCISM OF EMILY ROSE and THE RING) have been PG-13. They rely more on great writing than gore. The two-disc DVD of 1408 had a second disc with the director’s original ending, which was a bit of a downer. I understood why it was reshot, as the ending shown in theaters framed the action with a bit more meaning and a bit less nihilism. Anyway, I bought the blu-ray version for the better picture quality and the slimmer, space-saving package. In checking the packaging, it looked like the blu-ray was pretty much the same as the two-disc DVD. WRONG! THE BLU-RAY HAS THE DIRECTOR’S CUT ENDING! Nowhere on the package is this indicated. Granted, the ending seen in theaters is available in the special features as an isolated scene… but I don’t want that. I want what the package implies: the theatrical cut in the blu-ray format. So, buyer beware. Doesn’t make this a bad film, but I’m not going to be able to get rid of my DVD.

Streaming Judgment at Nuremberg Online. Movie Title: Judgment at Nuremberg Average customer review: Judgment at Nuremberg is available for streaming or downloading. Click Here to Stream or Download Judgment at Nuremberg

This is truly an fantastic movie. After seeing it one wonders that Spencer Tracy did not fetch the Academy Award for his performance here. Of course, another actor in the cast, Maxmillian Schell, playing the German defense attorney, did! In many ways the movie is the senior brother to “Schindler’s List”, acting to probe thoughtfully through the mist of euphemisms, excuses and exaggerations of the era. And sifting out some noteworthy, memorable, and excellent notions about what human beings should be held responsible for in terms of their social attitudes, civic behavior and public actions.

Ostensibly, the action takes set after the more sensational trials of the Nazi hierarchy, when the public appetite for blood, revenge, and harsh justice had been somewhat abated. Tracy plays a relatively obscure retired rural American think called upon to act as one of the three presiding judges in overseeing the trials of prominent German jurists who had co-operated, collaborated, and then presided over the tedious civil drift from a nation whose conduct and laws were based on a corpus of jurisprudence to one characterized by crackpot eugenic policies, blatant racism, & officially-sanctioned violence and mayhem.

Burt Lancaster plays a pre-eminent German contemplate, one notorious for his true treatises and international reputation as a jurist. Through the prism of the testimony of both the judges on trial and their deplorable examination by a zealous American military prosecutor played masterfully by a young Richard Widmark, the viewer begins to understand worthy more about the slippery slope most of the jurists had unwittingly embarked upon. Add into this equation the introduction of a sensational spot of key witnesses played by Judy Garland and Montgomery Clift, and the bulky emotional impact and profound significance of what these judges had allowed to happen truly gels.

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This is an unforgettable and remarkably new movie, truly a classic and cautionary myth based on the historical picture of what the Germans did to each other, based on fact. And by the procedure, be determined to listen carefully to the final several scenes in which Tracy takes fleshy advantage of several opportunities to slash through all the equivocations, half-truths, and “impartial mistake” nonsense, literally electrifying the camouflage with the power of his monologue and his valid acting. He was truly one of a kind, too. Wow! Don’t miss this

There’s a serious and timeless theme to this award winning 1961 courtroom drama of four used Nazi judges on trial for war crimes in occupied Germany in 1948. It’s not the epic of the military leaders who had already been tried and convicted. Rather, these were the men who survived the war by following the laws that ruled the nation. There are deep apt questions here, such as what a judge’s responsibility is. After all, judges do not fabricate the laws; they fair carry them out.

Stanley Kramer, the director, had vast material to work with. The screenplay by Abby Mann was much. And the cast included some of the finest actors of the time. Spencer Tracy plays the assume, a widower from Maine with simple tastes. He’s a bit embarrassed to be given a immense house, formerly occupied by a high ranking Nazi officer whose surviving wife is played by Marlene Dietrich. The consider has a difficult job and he ponders it as he walks through the ruins of the city with wide-eyed wonder. How could all of the fright have happened? And who is responsible?

Responsibility, however, which is the theme of the film, is not so certain sever. And as the trial progresses, all the shades of gray alive to in this view are brought to light. Burt Lancaster is cast as one of the judges on trial, a dignified and respected man of the law. Richard Widmark is cast as the prosecuting attorney, a colonel who had personally been reveal at the liberation of the concentration camps. And Maximilian Schell, in an Academy Award winning performance, plays the piece of the defending attorney whose outstanding apt expertise keeps shedding unique light on the evidence. Judy Garland is one of the witnesses, and so is Montgomery Cliff. The entire cast is well-behaved. I found myself holding my breath as the twists and turns of the apt implications were examined with fine-honed brilliance.

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The film takes up two videotapes and runs for three hours and six minutes and there is not one wearisome moment. I watched it with a sense of total involvement. I couldn’t assist but transpose all the good and apt arguments to what is happening in our world today. And my possess mind went though its bear puny debate as to the subtleties of true and depraved and the hard choices that must be made. This is drama at its finest. And a truly pretty film. I give it my highest recommendation.
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Stream Le Trou – Criterion Collection Movie Online. Movie Title: Le Trou – Criterion Collection Average customer review: Le Trou – Criterion Collection is available for streaming or downloading. Click Here to Stream or Download Le Trou – Criterion Collection

Jacques Becker’s LE TROU (THE HOLE) is one of the most intense, grand and thrilling crime movie in film history.

Men–convicts–in a prison cell status a dynamic elope by digging a hole (hence the title) in their prison cell. This is the basic space of it, that’s all. And the dramatic arena is naturally very limited; basically everything in a confinement of a prison. The actions are also mainly shrimp to the act of digging.

By deliberately limiting his cinematic palette to bare-bone simplicity, Jacques Becker weaves out a complex web of human camaraderie and conflicts. You have to trust one another to commit this kind of flee, but at the same time, can you really trust these fellow inmates? All the dramatic ellements concentrate into this fundamental put a question to about human relationship. And from there florishies a blooming, awesome drama of wild, strong men, naturally with the currents of their gain vulnerabilities underneath, which quite often finds its blueprint to burst in front of your eyes.

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A generous ensemble cast including some of the finest character actors in french cinema and one man who actually experienced this epic (Jean Keraudy, who introduces the film as his beget narrative) creates an extraoridinary psychological as well as physical realism.

And the harsh, stark black&white cinematography can be easily pointed out as one of the highest achievement in attempting to get an imediate realistic experience as a cinematic imagery in film history.

In one word, this is a must spy film, a masterpiece. Both an curious crime drama, and a apt work of art.

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*note: jacaues becker conventional to be assitant director to jean renoir in the 1930′s, and appears into films such as Boudu Saved from Drowning and Enormous Illusion

Based on a correct epic, “LE TROU” is a 42 year customary French thriller that is itsy-bitsy known in the U.S. but is being (re) discovered by videophiles as a tense, sweat-inducing masterpiece. The position is amazingly simple: Five guys in a prison cell awaiting trial, set an speed by digging a hole (“le trou”) into the Parisian sewers. The perfect murky and white cinematography, the ultra minimalist place, confined setting and shifting character relationships accomplish this a kind of Zen noir meditation on the primal, universal, desire to be Free. Director Jacques Becker died shortly after this film was completed, and this is a fitting epitaph to a truncated prize-winning career. The film opens with a statement that removes all obstacles to suspending disbelief. Jean Keraudy, one of the trusty life participants of the events depicted in the movie, and an actor in the movie, says, “My Friend Jacques Becker recreated a correct anecdote in all its detail. My record. It took situation in 1947 at the Santé prison.” The thing that intrigued Becker was the ingenuity of the plot and the courage of the undertaking. Three members of the fresh race served as consultants and Keraudy himself plays the character Roland in the film. The suspense never lets up as we participate with these desperate, ingenious, meticulous, men as a collective force seeking freedom. There’s a feeling of true time and no music rep to enhance or detract. The DVD has no primary extras. The widescreen transfer is super and engrossing and the sound is crisp. It’s in French with optional, easy to read subtitles and there’s a six page booklet with two spirited essays. Thanks to Criterion, this grand film has been plucked from obscurity, beautifully mastered, and is now finding the appreciative audience it deserves. Don’t miss it.
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Ramen Girl Review. Compare & Purchase Ramen Girl at Amazon by clicking here! List Price: —- Amazon Price: $14.99 Click Here To Purchase At Amazon!

Ramen Girl Description:

• Amazon Sales Rank: #20743 in Movie
• Released on: 2009-06-08
• Rating: NR (Not Rated)
• Running time: 103 minutes

Customer Reviews:

The ramen Girl
COMING OF AGE IN TOKYO five stars

Having grown up in Japan and America, I really felt this movie captured the cultural differences between the two countries with humor, intelligence and charm while still making its points pro and con for both. I don’t agree with the comparison to LOST IN TRANSLATION at all. That movie was about alienation. The main characters could have met on the moon. There was almost nothing in that film that reflected the Japanese culture. I don’t think it was trying to. In fact several Japanese friends and myself found it rather offensive to Japanese people. The Ramen Girl more specifically portrays being a foreigner alone in Japan. There are many fully developed Japanese characters and situations. The central plot could only ever happen in Japan. This is more of a coming of age movie. What is lovely about it is that it suggests that it’s possible to actually find oneself and grow outside of one’s home culture and then to bring what has been learned back home and lead a richer life. Abby, the central character, is sort of a lost soul. Finding herself abandoned in Japan, she is literally and charmingly, through several magical events, drawn into the culture of cooking ramen. Her scenes with her teacher are often hilarious as he doesn’t speak a word of English and she doesn’t speak a word of Japanese. What transpires would appear to be typical but it’s not. Nothing plays out just as one would expect it to. Her efforts are actually quite inspirational, although not always triumphant. All of the performances are first rate. Brittany Murphy has never been better and all of the Japanese cast are excellent. This movie was very well received in Japan. Journalists and movie goers were really surprised that it was written and directed by Americans. They clearly understood the culture they were making their film about. I think it’s great that this movie is finally available to an American audience on DVD. It’s really kind of irresistible. It’s also great to see a movie now that has such a positive point of view and leaves you feeling so good.

Its all about the characters in the Ramen shop
This movie worked for me because of the compelling performance of the Japanese actors in the Ramen shop. The Japanese characters were interesting, humorous and well acted. The lead actress, Brittany Murphy did not seem as natural or convincing in comparison but she gave an acceptable performance. The lead character’s ex-pat friends were basically cardboard cut-outs, but they didn’t really matter to the story so the movie still worked. It felt like the director could have done a bit more with this movie (made it longer, added more detail), but it would have required much more subtlety from Brittany Murphy. Instead he chose to rush the lead character’s development and paint it with primary colors and relied on the Japanese cast to hold up the movie (and they were up to the task). The gem of this film was really the lead Japanese actor, he stole the show and made the whole thing enjoyable to watch.

Sporadically Engaging Fish-Out-Of-Water Story That Needs a Better Director
My experience tells me that it is not a good sign if a film with a big-name star receives only a limited theatrical release before disappearing without a trace. The star I am talking about is NOT Brittany Murphy – though she is top-billed in “The Ramen Girl” – it is Japanese actor Toshiyuki Nishida. The respected veteran is famous for his hugely successful movie franchise “Tsuribaka Nisshi,” but perhaps some might remember him as the “Pigsy” of Japanese TV series “Monkey.” Despite his name, the film never received wide theatrical release in Japan. This is quite unusual – imagine a Tom Hanks movie released only in LA and you know what I mean – and the reason is simple. “The Ramen Girl” is not very good.

Brittany Murphy is Abby, who has followed her boyfriend Ethan (Gabriel Mann) from America. Ethan leaves her, however, and shocked Abby is attracted to the bright light nearby her apartment room. It is a small ramen shop run by a headstrong master Maezumi (Nishida), and Abby, looking for a new way of life, decides to work at the shop to learn the art of cooking. Naturally Maezumi refuses, but persistent Abby wouldn’t leave and the shop master reluctantly agrees.

Certainly the storyline is forced, but not without potential. I don’t think stubborn master like Maezumi, who has been doing his job for more than forty years, would take Abby (or anyone else, American or not) as a pupil so easily, but Nishida is a talented actor, very good at comedy, so the film still had a chance.

Alas, the director never allows him to do what he can do. Not surprisingly, grumpy Maezumi yells at Brittany Murphy’s Abby, who is not a fast learner, but the film is no fun to watch as it lacks humor and pathos that this kind of story needs. This is not the wall-painting training of wise Miyagi-san in “The Karate Kid” which has a meaning in it. Maezumi’s pointless “training” (like Abby scrubbing a toilet bowl) doesn’t convince us.

Abby’s character is also a problem. The idea of a broken-hearted American woman who wants to learn ramen cooking is not very credible. Moreover, the film never gives her a real trial. It takes a lot of effort and tenacity to acquire skills of ramen cooking (or any kind of cooking for that matter), but the dialogue-ridden film never gives her a chance to show her cooking prowess. What she has to learn is explained away simply with a word “tamashii” or soul. And a teardrop, too.

“The Ramen Girl” is helmed by Brooklyn-born Emmy-winning director Robert Allan Ackerman, who has also directed plays in Tokyo many times. The film’s screenplay is written by Becca Topol, who, according to the film’s home page, spent one year in Japan while studying in college. As to the production design of the ramen shop and the owner’s house, it is perfect. You can find such small ramen shops around the corner anywhere in Japan.

However, the film, it seems, misses every opportunity to use their knowledge about the country and its culture. Cooking ramen plays a significant role as metaphor in the film, but in “The Ramen Girl” somehow you don’t see the details of ramen cooking they should know. How did Abby learn the skills? How did the master teach her?

There is nice supporting acting from Kimiko Yo as Maezumi’s wife, and Tsutomu Yamazaki as the grand ramen master (both actors seen in “Departures”), but the lagging pace of the film doesn’t change. Subplots about the characters played by Tammy Blanchard and Sohee Park are so weak and forgettable.

The film needs a more capable director and writer, who can create a cinematically dynamic narrative development, or more credible story and characters. This is s huge disappointment for me. “The Ramen Girl” could have been a much more engaging drama with someone else as director. Toshiyuki Nishida, one of the best actors in Japan, deserves a better film than this.

By the way, there is really a “Ramen Museum” in Yokohama.

Watch The Changeling Movie Online. Movie Title: The Changeling Average customer review: The Changeling is available for streaming or downloading. Click Here to Stream or Download The Changeling

Director Peter Medak’s THE CHANGELING is a highly inspiring and very creepy former ghost tale. It stars award-winning actor George C. Scott as John Russell, a musical composer who detached grieves over the tragic deaths of his wife and young daughter (the film opens with the accident in which they are killed) . In an attempt to place the loss tedious him and fade on with his life, Russell accepts a teaching situation and moves to another town, where he also rents a rather worn obsolete mansion. It doesn’t buy long for him to realize that his recent domicile is insecure, and when he learns that the ghost is that of a young boy who was stealthily murdered in the early 1900s, he throws himself wholeheartedly into the task of solving the mysterious crime. He is assisted in the endeavor by the real-estate agent who arranged his rental contract, played by Scott’s wife Trish Van Devere.

This film follows the old-school, Hitchcockian way of sucking the unwitting audience into the fantasy and thereby creating a honorable visceral scare. Unlike a lot of more contemporary genre fare, THE CHANGELING subtly builds tension by first concentrating on character development. Then, once the audience has some empathy for the protagonists, the details of the haunting and the related crime slowly unfold as the film’s atmosphere becomes more & more eerie and more & more unsettling. So when the film’s scariest events finally lift space, the audience has been psychologically primed for being genuinely spooked.

The acting in this film is edifying. In incompatibility to the arrogant, flamboyantly self-assured characters that Scott is generally well-known for playing, his John Russell is a sensitive and vulnerable man who seems truly concerned with the predicament of others, and Scott delivers an exceptional performance that is unprejudiced this side of stupendous. It’s a shame that he wasn’t offered more roles such as this. The always aesthetic Trish Van Devere does a colossal turn as the real-estate agent who assists Russell, and she does an especially salubrious job and exuding awe when she is confronted vis-à-vis by things that go bump in the night. Also turning in a unbelievable performance is the highly revered Melvyn Douglas, here portraying a rather smarmy politician in one of his last roles. Genre fans will discover Mr. Douglas from an early performance as Roger Penderel in another spook-house film, James Whale’s classic THE Outmoded Unlit HOUSE.

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Like some of its distinguished predecessors, this dilapidated ghost memoir creates lots of gooseflesh and increases the heart rate without resorting to lots of gratuitous gore or stomach-churning make-up effects. So hold in mind, then, that fans who remove only blood-and-guts fright may secure THE CHANGELING a bit uninteresting going. However, anyone who enjoys expansive acting, mammoth story-telling, and deep-in-the-pit-of-your-stomach psychological scares will really savor watching this oft-overlooked gem.

Although I have heard great praise for this movie over the years, I had not seen it until a few weeks ago. And I can search for where all the positivity came from. The movie was tiring, on with the belief that you don’t have to do anything visually attractive to come by a hit with your audience. Although it had its visual moments (such as it’s haunting finale), a lot of it was due to eerie noises and subtle reactions (with no annoying overacting) from star George C. Scott. One plan I identify a splendid anxiety movie is if the movie (or fragment of the movie) sticks with me for a while. This movie did that with the brief shot of the wheelchair sitting at the top of the stairs, looking down at the 2 of them. It’s very creepy, and it stays with you, along with a few other moments in the film. The dvd transfer is astronomical (as i had rented a vhs version as well and compared the two), it has wonderfully shaded scenery and grand sound. Unfortunately the disc has only bios, but to have the movie in such astronomical quality, it’s no broad deal. More people should gaze this movie, it’s not getting the just amount of attention. Rest assured, you will definately win your money’s worth with this one. And halt out of the attic.
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Watch Gigi Movie Online. Movie Title: Gigi Average customer review: Gigi is available for streaming or downloading. Click Here to Stream or Download Gigi

This review is of the DVD. If you haven’t seen this 1958 classic in widescreen format, you really haven’t seen it. Director Vincente Minnelli (Liza’s father) fills each frame beautifully, often composing scenes reminiscent of the impressionist painters he so loved, such as Renoir or Seurat. Letterbox-haters, this is a excellent test of the superiority of seeing a movie the scheme the director intended, not crammed into the 1:1.33 TV conceal. (The DVD includes both versions, so comparison comes cheap.)

The year is 1900. Gigi (Leslie Caron) is a pubescent young woman who becomes more and more pretty to millionaire Gaston Lachaille (Louis Jordan) . But Gigi’s family has a tradition of “Instead of marrying at once, it sometimes happens we find married at last.” Making the tradition from pre-teen to heavenly young woman, awkward Gigi is “trained” in the arts of catering to men, such as choosing a cigar, walking elegantly and pouring coffee in the best French manner. The payoff for this kind of training is to own a rich young gentleman’s bed–until he tires of this courtesan and moves on. While detached in favor, the lady in inquire lives in luxurious style: tutor Aunt Alicia (Isabel Jeans) advises her charge to “Wait for the first-class jewels, Gigi. Possess on to your ideals.”

The team of Lerner and Loewe wrote songs for this musical that include such favorites as “Thank Heaven for Cramped Girls” and “The Night They Invented Champagne.” On its initial release “Gigi” was touted as the cinematic equivalent of their crash Broadway play “My Lovely Lady,” as the movie trailer on this DVD makes apparent. Gigi won a slew of Oscars, beating out the presumed accepted, Susan Heyward in “I Want to Live.”

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It is no mistake that the compilation film of MGM’s best musicals, “That’s Entertainment,” features Gigi as the last chronological example of the MGM high-quality, lavish musical. Minnelli would go on to inform many more films, including the 1960 musical “Bells Are Ringing” with Judy Holliday and Dean Martin, but “Gigi” was really MGM’s “swan song” for expensive musicals, which were getting harder and harder to mount because of television and changing musical tastes (like Elvis) .

With a lot of begging and pleading from the director and producer, the studio spent enough money in Hollywood to duplicate Maxim’s restaurant and the Ice Gallery, a approved meeting-place for the 1900 elite. Minnelli’s visual wit is visible in the device he frequently uses loyal Parisian backgrounds of fountains and statuary, indirectly symbolizing and commenting on the mental region of the actor in front.

The whole cast is superb, including Hermione Gingold as Gigi’s grandmother and the incomparable Maurice Chevalier as Gaston’s uncle, Honore Lachaille. It is puny wonder that this film is the very favorite–or cessation to it–among lovers of musicals. “Gigi” is first-class all the method. Even people who don’t often seize musicals may well like the film for its masterly visual style and recreation of turn-of-the (last) century Paris.

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What more can I say? Fetch ahold of this film Factual NOW while the stamp is so honorable. I don’t judge you’ll regret it.

For those wondering why they should consume another edition of “Gigi” on DVD, here are all the extras; however, if you maintain a Blu-ray, you might want to wait and pre-order Gigi [Blu-ray]. Other than the technical specs, the extras are the same on both versions.

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Winner of 9 Oscars, “Gigi” was produced after the demise of the modern 3-Strip Technicolor system, and photographed in the industry-standardized Eastmancolor process, which had a tendency to recede to reds and purples. For this fresh DVD release, Gigi has been photo-chemically restored from its novel camera negative and safety separations to accomplish a worthy sharper and gleaming image than has been seen in decades. It also contains a 5.1 audio mix created from the novel multi-track source elements.

Disc 1 (Gigi ’58) : 2.35:1 Anamorphic Widescreen * English DD5.1 Surround * French Mono * English, French and Japanese subtitles * Bluray specs: 1080P 2.40:1 Widescreen, English 5.1 Dolby TrueHD, English 5.1, French 2.0, Spanish 1.0 (Both Castilian and Latin), German 1.0, Italian 1.0 Dolby Digital, Subtitles (Main Feature) : English, French, Spanish, Danish, Dutch, Finnish, German, Italian, Japanese, Norwegian, Portuguese, Swedish, Subtitles (on Catch Bonus Material) : English, French, Spanish, German, Italian, Japanese, Portuguese

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*New Commentary with Leslie Caron & Film Historian Jeanine Basinger

*The Million Dollar Nickel [1952 MGM short]

*The Vanishing Duck [1958 MGM cartoon]

*Theatrical Trailer

Disc 2: “Thank Heaven! The Making of Gigi” The sage of how 1958′s Best Represent winner (the last of the classic MGM musicals) survived a turbulent production that included censorship battles over its doughty sexual lisp and creative struggles between a studio in turmoil and a demanding, visionary director. Featuring an all-new interview with star Leslie Caron, and a rare interview with Oscar-winning director Minnelli

Original 1949 Nonmusical version of Gigi starring Daniele Delorme in the title role and directed by Jacqueline Audry (in French Mono with English subtitles)

For those not familiar with the dwelling, Gaston (Louis Jordan) is the descendant of a wealthy Parisian family who rebels from the superficial lifestyle of upper class Parisian 1900s society by socializing with the old mistress (Hermoine Gingold) of his uncle (Maurice Chevalier) and her outgoing, tomboy granddaughter, Gigi (Leslie Caron) . When Gaston becomes aware that Gigi has matured into a woman, her grandmother and aunt (Isabel Jeans), who have educated Gigi to be a wealthy man’s mistress, enjoin on him to become her provider and on her to earn such a golden opportunity. However, moral savor adds a surprise twist to this Cinderella legend that was actually filmed in Paris.
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The Narrows Review. Compare & Purchase The Narrows at Amazon by clicking here! List Price: —- Amazon Price: $3.99 Click Here To Purchase At Amazon!

The Narrows Description:

• Amazon Sales Rank: #12166 in Movie
• Released on: 2009-11-16
• Rating: R (Restricted)
• Running time: 107 minutes

Customer Reviews:

Vincent D’Onofrio performances
This man is incredible. I have been a fan for a long time and he transforms himself into any character he chooses. I will never understand why this actor has been so under rewarded for his work. He says he doesn’t want the leading role parts, but I think he is a leading man and would be wonderful as a romantic lead. He has only gotten better looking and deeper as an actor and he deserves better. This movie was well done and shows how easily one can be drawn into a frightening situation for a means to an end. The supporting cast was also very convincing without being overdone with the Italian ethnicity side of things. The language was very strong and that is not alway pleasing to the ear, but I enjoyed this movie anyway.

Great little story, good BD
I am a fan of D’Onofrio and was hoping to see something different for Zegers than those last two dark outings in Gardens of the Night and Normal – and was pleasantly surprised by the time the credits rolled.

The story follows our twentysomething (Zegers) as he lives with his crippled dad (D’Onofrio) in Brooklyn while working for a car service run by a small-time mobster. The only significant difference between this and the Heart of the Old Country (The Narrows) would be he has the added aspiration of being a photographer, which in itself sets the style of film making. That being lots of picture work being still-shot into the storyline and multiple lens colorings/scene changes, including black & white, sepia, chroma, yellow and a few others. The line follows his struggles with his dad, being owned by the mob, finding love, finding his art in photography – and staying alive.

The BD quality is excellent at times, mediocre in other sequences, but that lens change and digital camera feel were on purpose so I do not fault it with a lower rating. The opening CGI sequence of shifting from a bullet to a football looked pristine – nice reference point right off. The DTS worked fine but gets used very little to the outer channels. The amount of clarity degradations would normally make me rate this Blu lower, but it all serves a purpose and the majority of sequences show NY in excellent 1080. The supplements are thorough for a character film and include:

* 43 minute interview with the director and writer. Gives you some good insight into how this came to be – nice connection between the screenwriter and the book author (went to writing school together).
* 11 minute interview with Zegers. Seems like a good kid with a heart in this.
* 21 minute interview with Sophia Bush.
* 7 minute interview with D’Onofrio. Would have expected a longer cut but I realize he is all about the work speaking for itself.
* 7 minute interview with McGloughlin (author). Not his best location interview.
* Commentary with writer and director. ESL for Francois but he provides a decent narration.

All of the supplements are lodef and play individually (no play all).

Four stars for the film content and clarity, one for the supplements. Hope you enjoy a solid performance piece from everyone involved.

Definitely add this one to your D’Onofrio collection!
Got this film because I’m a huge Vincent D’Onofrio fan. The movie stays amazingly true to the book “Heart of the Old Country.” All of the actors turn in solid performances and the story has a good twist. Kevin Zegers carries off his part as a young man searching for something more in life. The father-son relationship is well played. D’Onofrio once again brings a third dimension to his role. Good movie. Great Vincent.

Watch Ride the High Country Movie Online. Movie Title: Ride the High Country Average customer review: Ride the High Country is available for streaming or downloading. Click Here to Stream or Download Ride the High Country

This is one time that I have to remove exception to the house reviewer. Yes, it’s an indispensable allotment of American cinema. Yes, it’s one of Peckinpah’s best films. But the review overlooks so great.

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This was the cinematic swan song for two more-than-noteworthy stars of quintessentially American movies. Joel McCrea and Randolph Scott both turn in elegant performances, as do the extras– notably Peckinpah regular (and perhaps the most under-appreciated American actor ever to grace the veil) Warren Oates. And you don’t have to peruse like a flash for him, folks. He’s a substantial piece of the film.

In a intention, Run the High Country was deconstructionist before Unforgiven ever hit the gargantuan screen– by thirty years or so. Like Eastwood’s hit, the film manages to convey reverence for and contempt of the mythology of the American West at the same time. All the stock players are here, but never presented as stereotypes. Bankers, prostitutes, prospectors, missionaries, young bucks, lawmen, hucksters and outlaws. Anyone familiar with westerns knows the drill. Only this time it’s different.

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Though recognized as a genius, Peckinpah is honest as often derided as a misogynistic Hemingway-wannabe these days. What a shame. This film is no macho fantasy. Instead, it’s a sight at the seemingly inevitable (and lamentable) decay of principles that results when high-minded people accumulate themselves in a region and a setting that doesn’t conform to their preconceptions of how things ought to be (Straw Dogs, anyone? ) — and what happens when they ‘return to normalcy’ in the wake of atrocity. When everything’s on the line, one might unprejudiced be faced with the sort of challenge to faith (in anything held dear) that we all alarm confronting. Stand proper and lose it all, or sell out and find? Or is there an easy out? This would be a theme throughout the director’s work, but here it is ingeniously presented in an ostensibly straightforward horse opera that cleverly plays on viewer expectations. What appears to be another entry in a breezy, escapist genre ultimately reveals itself to be a meditation on unprejudiced how difficult it is to ever flee the travails of life. And how considerable it can cost to execute that same goal.

As noteworthy as the film points an accusing finger at the western, there are many ways in which the director expresses his hold sense of hope that such fairy-tale wishes could advance upright. Guess I’ll have to decide for the Police Academy box place while I wait for this one to turn up on DVD…..

This is what they mean when they say, “they don’t acquire them like that anymore.” With all the praise inexplicably heaped on a share of crap called “A History of Violence”, a ridiculous, mindless film, based on a barely literate cartoon strip, you often wonder exactly what has happened to American films – which conventional to be the envy of the world for their craftsmanship and acting. “Scurry the High Country” was apparently considered a very expedient cramped “B” movie in its first release – but time and care now reveals it to be an American classic. Two terrific actors, in their dazzling twilight, working with an upcoming director, team up for a beautifully crafted, gorgeously filmed and scored, Western about character and justice. TCM has been showing the widescreen version of this gem for a couple of years – and now here it is where it belongs – on DVD for every moral film fan to explore. Forget Tarantino’s mindless violence. Forget the fast cuts and lack of storytelling talent of practically every film director in the business just now: this is how it is done, and the director of this film never did as well (he too lapsed into cheap “humdrum motion” violence and other inhuman traits as his enjoy film career lurched on) . Here we have a tale told with depth and clarity – and HUMANITY. Scott and McCrea are two tall stars who know something about manhood, decency, wit, grace, and strength. Where are these kinds of films now? Where are the male actors who can inhabit these roles with some degree of class, grace, and strength? Why can’t ANYONE do a simple, determined, human Western, as it was once done, which often had so noteworthy to say about contemporary times (“High Noon,” as one example)? At least we have this and you can’t argue with it: a spare, resplendent Western, with one of the stout climaxes in film history. A MUST!
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Stream Laugh Track: Night of the Living Dead Movie Online. Movie Title: Laugh Track: Night of the Living Dead Average customer review: Laugh Track: Night of the Living Dead is available for streaming or downloading. Click Here to Stream or Download Laugh Track: Night of the Living Dead

The five star rating I gave Night of the Living Wearisome is, of course, for the current, uncut, unadulterated edition. The fresh is, quite simply, the most evil movie I’ve ever seen, even when compared to fear classics like Diabolique (the unusual French version), Psycho, Rosemary’s Baby, Halloween and The Gleaming. I saw NOTLD when I was 9 years stale on Creature Features at midnight after a funeral. I had nightmares for the next two nights. The film mild gives me the chills whenever I explore it (usually at Halloween) .

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When the 30th Anniversary Edition came out, I bought it on VHS as I was challenging to view what they termed as “original footage.” What I got was a inappropriate mess that butchered the current film, removed the unique music for a unpleasant synthesizer salvage and added pointless footage that makes the viewer want to grind his teeth down to the gums. One of the additions is a original character: a fire and brimstone preacher. While the acting in the modern is amateurish, at best, the “actor” who plays the preacher makes the fresh cast examine like Oscar winners by comparison. He snarls, and howls and gnashes his teeth like he has rabies. Even more ridiculous is the extra footage of Bill Hinzman — the “cemetary zombie” in the unique. The extra footage shows Hinzman’s character emerging from the grave, then cuts to the novel 1968 opening footage with Judith O’Dea and Russell Streiner. It’s absolutely ridiculous as Hinzman looks 30 years older in the novel footage. In addition, there are more zombies and a original ending to the film that makes no sense whatsoever. This “fresh” version is a share of trash that desecrates the most plain film of all time. Avoid it like the plague!

ORIGINAL VERSION: *****

30 Anniversary version: No Stars

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This review pertains only to the Millennium Edition DVD of Night of the Living Listless.

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Okay…as I’d feared, my negative review of the John Russo-massacred “30th Anniversary Edition” of Night of the Living Tiring, has been lumped unwittingly into this product’s review, so I’ m writing this one to elaborate.

This DVD edition is the best edition I’ve seen of the film yet. Anchor Bay may have raised the ires of legions of Living Uninteresting fans by releasing the sacrilegious 30th Anniversary Edition, but Elite Entertainment did accurate by this novel edition.

George A. Romero’s personal appreciation appears in the attend of this DVD — this immediately restores our faith. And the contents don’t disappoint — the report and sound are ample, and though this doesn’t exactly maintain the richest batch of bonus materials (sets like the worthy 3-disc edition of Dario Argento’s Suspiria and the unique double-disc Re-Animator both feature loads of extras), it is a nice solid collection. You gather a Duane Jones interview (sadly with only audio and no image, but unruffled mammoth) ; an on-camera chat between Judith Ridley (Judy) and Marilyn Eastman (Helen) ; the hilarious student-film spoof “Night of the Living Bread” by Kevin S. O’Brien (which also appeared in the double-cassette VHS edition) ; two commentary tracks with Romero, Russo, Russ Streiner, Eastman, Karl Hardman and others. One very illuminating share of this DVD for non-film-scholars is visually tedious but informative — several histories outlining the beginning of Romero’s Latent Image company, on Hardman and Eastman’s company, and how the two were married to develop Night of the Living Plain.

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THIS is the lawful edition of Night of the Living Boring, the one to bag for both fans and non-fans alike. It includes all the vital people (peek that Russo, Streiner and Bill Hinzman were included in this release, despite their criminal participation in the 30th Anniversary Edition), and it presents the film the procedure it wants to be seen.
Now I’m waiting for a deluxe release of Dawn of the Listless and Day of the Lifeless…
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1612 Streaming. Movie Title: 1612 Average customer review: 1612 is available for streaming or downloading. Click Here to Stream or Download 1612

1612 takes station during a time of exertion in Russia and is loosely based on history. It could be called the “time of concern” because a foreign army is occupying the country but also because there isn’t sure leadership to bring them out of the mess. The film doesn’t try to be a strict historical film but an adventure that will buy the hearts of the audience. The movie mixes history with mystical and legendary elements; namely, one reoccurring subject is that of unicorns. Even with that said, I could say with a straight face that it doesn’t go too far with this into fairly narrative land as most parts with unicorns are in dreams or visions.

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Polish invaders murdered the royal family but the Polish Hetman (Michal Zebrowski) spared the life of Princess Kseniya, whom he loves and sees as a intention to become Czar himself. Andrei (Pyotr Kislov), who also loves Kseniya, ends up as a servant and then mercenary of the Polish Hetman, witnessed the murders and makes it his goal to overthrow the invaders and free the Princess. The appreciate triangle between the three is the crux of mighty of the conflict.

The villains of this epic are the Poles, who wear armor with wings giving them the examine of angels, but they strike with fierceness that is more demonic than angelic. Interestingly enough, the Polish Hetman is actually a renowned Polish actor, which adds a bit to the realism to the film. To some degree this film is anti-Polish in nature and is not entirely historically good but we are reminded that this movie isn’t a documentary from time to time by the unicorns. Even with that said, I composed contemplate the movie is a lot of fun.

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1612 rivals the best historical films in both legend and special effects. The action doesn’t tiresome down between the duels, skirmishes, and sieges. I contemplate 1612 particularly excels in showing cannon warfare, in which there is quite a bit of in this movie. I would say 1612 would obtain an “R” rating by American standards for showing some nudity and quite a bit of violence that doesn’t spare us the goriness of war.

Based in history, 1612 tells the right legend, which has now grown into legendary proportion, of the fight for Russia in the early 1600′s after the country fell into choas following the slay of the czar and his family. With a ‘cast of thousands’ portrayal, and mysticism cast throughout, the yarn is centered on the saving of a young princess by a young boy. However, the memoir battles compete with the best memoir battles in film history, and the lovely filming is simply handsome to experience.

If you are a fan of history, this is a spectacular yarn to understanding. If you are a fan of memoir battles, this is a must-see experience, from the heated cannonballs to the man-to-man fighting.

1612 was sanctioned by and underwritten by the Kremlin, so critical a film it was to be created.
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