Posts Tagged ‘Tokyo’
Streaming Burst Angel Boxset w/OVA Online
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Streaming Burst Angel Boxset w/OVA Online.
Movie Title: Burst Angel Boxset w/OVA Burst Angel Boxset w/OVA is available for streaming or downloading. |
Let me initiate this review by expressing my absolute adulation for Funimation’s Viridian Collections. I was first introduced to these incredible anime packs through Blue Gender and made it my priority to attempt to locate as many others as possible. For those who don’t know, Viridian Collections, in Funimation’s beget words are the vital titles for any well-rounded DVD collection exploring the pop culture phenomenon known as Japanese animation. To you and I it means a box situation containing an entire series, an OVA, and a lot of extras all for the notice usually associated with a single season of a given explain.
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The extras contained within this Viridian Collection could easily possess up my entire critique so I’ll mention a few of the key areas of interest briefly. The status contains a whopping 6 episode commentary tracks with many of the English vocal talents and production, all of the novel radio dramas, a Japanese cast interview, CGI artist interview, character designer interview, trailers, alternate opening and closing themes, battle records, textless songs, outtakes, and a Funimation trailer piece on each and every disc. If all that weren’t enough, each disc contains a pudgy episode of the bizarre but strangely addictive Funimation property Mr. Stain on Junk Alley. For those of you who have no thought what this is (and that included me before this region), imagine a fully CG rendered prove that would fit in fair well with what we Americans might put a question to from Pixar, in which a presumably homeless (and shoeless) man, his sweater-wearing cat, and iguana on a leash employ each episode digging through the discarded junk in an alleyway for survival and ensuing high jinks. Sound uncommon? Oh it is. Bewitch for example the one episode where he finds a pack of crayons that when colored with affect reality or another where starvation begins to tempt him into turning his pet lizard into a meal. In the extinguish you’ll certainly wonder whether drug exhaust played a fragment in the show’s creation but yet somehow it succeeds on nearly every level (and all this without a single word of dialog ever spoken) .
But enough about Mr. Stain, we’re here to talk about Burst Angel true? Language options are standard resplendent sub and dub which of course means dialog presented in either new Japanese or English dub each in Dolby Digital 5.1 Surround. And, like always, the choice to urge English subtitles exists for either spoken language option.
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The present could best be described as a mix of about a hundred different sociological elements, not the least of which is the spaghetti western theme that you may have gathered from the trailers and box art. Although to be completely impartial, except for a few chaps and six-shooter toting women and a giant robot that looks like he’s sporting a cowboy hat atop his massive metal head, there really isn’t great to remind the viewer of the passe west. In fact, the point to starts things rolling with perhaps the oddest group of protagonists ever assembled and slaps them waist-deep into a conflict with underground crime syndicates, a spoiled government, and fair a lope of sci-fi intrigue (like plain beasts with glowing-brains that exit the skull and attempt to ride away once the monster is defeated) .
Sometimes the formula works, other times not so worthy. When the explain opens the viewer will more than likely fumble through the ensemble not exactly positive what to request. You know- like is this character distinguished to the overall prose or what about this one here? By the ruin I can’t say with certainty that the uncommon dynamic of the advantageous guys ever falls into residence. You have many near-naked women to work with; one who takes charge of the group, another young girl who happens to be a computer genius, a bouncy (yet perky) redhead with a knack for getting into effort, and a red-eyed, silver haired, purple tattooed killing machine who makes it her personal mission to bail the redhead out of difficulty in nearly every episode.
There are a few males to sing of, mainly in the invent of the giant robot’s hairy mechanic (map too powerful exposed body presented in the “beach” episode) and a wussy pastry chef-in-training that is brought on to cook for the girls. I deny section of my occupy bewilderment comes from the fact that I expected the young cook to play a great bigger role in the grander legend arc than he actually does by the kill. The first twelve episodes exercise him as a major focal point of the account then suddenly he gets dropped off like a dreadful step-kid at the soccer field.
I sing it wouldn’t injure to pronounce you that this is the bizarre tale of Meg and Jo (the redhead and killing machine I told you about earlier) and their meteoric rise to mercenary space with a outlandish, dare I say lesbian esteem for one another. Perhaps if I had known this going into the program, I would have been less distracted by the frivolous characters and jutting tale threads that go nowhere throughout. The OVA makes this reality especially determined although since it represents the very destroy of the display, by then its too slow.
The English dub takes us encourage to 2005; an era where Funimation was improving in leaps and bounds but unruffled wasn’t quite the well-oiled machine that it has since become. The commentary tracks are virtually useless at shedding any sort of light on the production process or the behind-the-scenes data that fans may quiz from a commentary. However, it’s almost impossible not to pick up the bubbly personalities of the female stutter actresses both infectious and personable. Regardless of how gratified you are with your unique lot in life, these tracks will invent you wonder if snarl acting shouldn’t have been your calling- even if you had to pay to do it!
In rare effect, the majority of Texas-dwelling roar stars that gain up Funimation were given an opportunity to let flit their southern accents in a segment that takes spot entirely in Osaka (as opposed to Tokyo) . Since the novel Japanese dialog wipes this correlation out entirely, I personally found it fascinating that Osaka would be considered the customary west of Japan. Distinct it’s a gimmick and it may have been taken a bit too far, the fact is that this segment acts as a well-needed bridge between the two bigger sage sections that are being developed here.
The Japanese acting, as is often the case, is more dramatic and emotional but lacking in the dinky inflections that hint toward ethnic-authenticity that the English track nails down.
In all Burst Angel is a very recent choose on the mecha category of anime. The visuals are pure Gonzo magic; especially the robot battles themselves. The animation is both fluid and life-like with uncanny attention to detail. However, the fable is quite inconsistent in its delivery. At times you’ll be convinced that this is in fact a cleverly disguised comedy display only to reconsider it as a anxiety wannabe an episode later. It picks and chooses elements at will which would have been handsome had it committed to a single theme beneath the variations. However, as it stands the raze result feels muddled and a bit convoluted. This is a story that banks nearly everything on the viewer’s undying adoration for the lead characters and to be impartial, I never felt mighty toward them.
I should often point out that observant viewers may behold a couple of scenes that appear to have been taken almost directly from the 1997 American film Alien Resurrection. I was hoping the creative staff would have commented on this observation in the extras but alas, no mention of it was ever made.
In conclusion this is a 3-star present from Gonzo but a 5-star product from Funimation. Packaging, extras, and value are absolutely through the roof. That’s two for two on the Viridian Collections thus far but who’s counting?
Ok if you like Mammoth mechs, sizable gun, mountainous boobs and a lil hint at lesbian action Burst Angel is for you….You meet Jo, a genetically enhanced gunslinger who fights to protect her lover meg from injure. Meg on the other hand has this uncanny knack of getting kidnapped by the unpleasant guys causeing Jo to waste half the town to bag her. its pointless yet has a point.
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Stream The Simpsons – The Complete Tenth Season Online
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Stream The Simpsons – The Complete Tenth Season Online.
Movie Title: The Simpsons – The Complete Tenth Season The Simpsons – The Complete Tenth Season is available for streaming or downloading. Click Here to Stream or Download The Simpsons – The Complete Tenth Season |
Mike Scully’s reign of awe continues.
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Ok, so this season isn’t as sterling as Season 9 but that doesn’t acquire it unpleasant. In fact there are some really respectable episodes in this season. As someone who thinks the reveal should’ve ended after Season 11, how can I possibly reject this season. And now a brief summary.
1. Lard of the Dance – For this episode, the Lisa “A” chronicle with Lisa Kudrow has its laughs but for me, it’s all about the Homer and Bart “B” chronicle where Homer thinks he can effect a fortune by selling grease. You can’t go horrible with Homer and a crazy contrivance.
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2. The Wizard of Evergreen Terrace – Written by the prolific John Schwartzwelder, this episode features Homer attempting to emulate Thomas Edison’s prolific inventing after suffering a mid-life crisis.
3. Bart the Mother – An episode that got too sappy IMO. Bart accidently shoots a mother bird and decides to care for the eggs she apparently left. Nice third act though.
4. Treehouse of Apprehension IX – Humorous at the time but ages accurate posthaste. I – after Snake is executed, his toupee is donated to the one man that needs it most, Homer. II – What? Bart and Lisa are trapped in an Itchy and Scratchy cartoon? How humiliating! III – Hey kids, remember Jerry Springer. Well when he’s not dancing with the true dancers, he has time to give a voice-over.
5. When You Dish upon a Star – What? There are celebrities who determine to live in Springfield? Specifically Alec Baldwin and Kim Basinger (in happier times) not only live there but determine to hire Homer as an assistant. Also, you win the occasional pop-in by Ron Howard who is there to raid the liquor cabinet.
6. D’oh-in in the Wind – After visiting the commune where his mother hid, Homer decides that he wants to be a hippie which is due to exasperate the other hippies who live there (guest voiced by Martin Mull and the immense George Carlin) .
7. Lisa Gets an “A” – Lisa cheated on a test? Well its accurate. Again the Homer B myth is better when he takes care of a misunderstood lobster named Pinchy. The first episode with that expansive educator Station Comptroller Atkins.
8. Homer Simpson in: “Kidney Danger” – Impartial because Homer caused Grandpa to lost functionality in both off his kidneys, that doesn’t mean that Homer actually has to donate one of his occupy kidneys to set Grandpa’s life! Does it? Written by John Schwartzwelder.
9. Mayored to the Mob – This is a hilarious episode from the BiMonSciFiCon to Label Hamill in “Guys and Dolls” Yes, Luke be a Jedi tonight! Also, after protecting Mayor Quimby from a horde of inflamed sci-fiers, Quimby decides to hire Homer as his bodyguard.
10. Viva Ned Flanders – Probably because there was already a casino in Springfield, none of the Simpsons ever decided to go to Las Vegas, that is until now. When Ned Flanders decides to manufacture up for a life of not living on the edge, he decides to call Homer. While it was a amusing episode, it helped spawn that undying premise of the Vegas wives.
11. Wild Barts Can’t Be Broken – After a spree of wanton vandalism (caused of course by Homer, Lenny, Carl, and Barney) the town enacts a curfew that prevents the kids from leaving the house.
12. Sunday, Cruddy Sunday – Fred Willard guest voices as the depart agent who books a mountainous group of the Springfield gents to a poke to Desirable Bowl XXXIII. A label of trivia, the date that this aired was also the premiere date of Family Guy. Read into that any meaning you like.
13. Homer to the Max – Written by John Schwartzwelder, this episode serene makes me laugh. Homer gets a lot of respect when a icy detective on TV named Homer Simpson hits the mask. However, after the pilot, they turn Det. Homer Simpson into a inactive, dreary ignoramus forcing Homer to change his name to (drumroll) MAX POWER. Remember, nobody snuggles with Max Power, you strap yourself in and feel the Gs.
14. I’m with Cupid – Apu’s extravagant gifts and affection for Manjula on Valentine’s day force the rest of the male Springfield population to become irate. Guest appearance by Sir Elton John.
15. Marge Simpson in: “Screaming Yellow Honkers” – Probably the first sitcom to engage on road rage (not to mention the burgeoning phenom of female SUV driving) was the Simpsons. When Homer accidentally buys a lady Canyonero (Canyonero Yeee Hah!) Marge decides to drive it causing her to get road rage.
16. Construct Room for Lisa – A nice Homer-Lisa narrative where for the first time, Lisa explores her gain insensitivity to Homer. Also, a lot of Lindsay Naegle (before she was Lindsay Neagle) as the OmniTouch obtain.
17. Maximum Homerdrive – After losing a steak eating contest to a truck driver who eventually dies, Homer decides to issue the tiresome man’s payload. BTW, who knew that those trucks could drive themselves? Written by John Schwartzwelder.
18. Simpsons Bible Stories – Rather than impartial see Halloween themed ideas, why not try a more scary book like….I dunno…..the Bible. I – Homer and Marge are at the Garden of Eden, II – the Jews will flee the wrath of the imperfect pharoah by the leadership of Milhouse? III – Bart as David who now has to face Goliath’s son, who is unbiased as immense, and angrier.
19. Mom and Pop Art – Underrated episode where Homer becomes a conceptual artist by accident. But when the art community rebuffs his newer work, Homer decides to try an artistic stunt so revolutionary that the art community would have to respect him. Also some astronomical Arizona Space bashing by Ned.
20. The Veteran Man and the “C” Student – After Bart pulls a stunt that forces the IOC to reject Springfield as the region of the Olympic games, he has to do community service at the traditional folks’ home. Meanwhile, Homer is poor when his mascot view, the Springfield Spring, is rendered useless forcing him to near up with other ideas for using the spring.
21. Monty Can’t Lift Me Worship – Why don’t the people like Monty Burns? That’s what Monty wants to know especially after the dashing billionaire Arthur Fortune comes to town. Written by John Schwartzwelder.
22. They Saved Lisa’s Brain – Now this is a grand episode. After witnessing the obscene and idiotic behavior of the townspeople, Lisa writes an op-ed which allows her to join Springfield’s Mensa society. Soon they assume over the town which causes an uproar. Some astronomical Funny Book Guy lines and oh btw, did I mention that Stephen Hawking makes an appearance as the command of reason.
23. Thirty Minutes over Tokyo – The Simpsons desire for an economical vacation leads them to catch a slump to Japan. Because after going to Australia, why not try their luck at another country?
The DVD area inclues audio commentary on every episode (strange but the audio commentaries are funnier than the fresh batch of shows), animation showcases, and many other special features.
This is unexcited stunning darn advantageous comedy but for those who have followed the intricate humor of the Simpsons this season is the beginning of the bound into mediocrity that they are wallowing in today. Probably one of the last seasons I’ll recall.
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Ramen Girl Review.
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Ramen Girl Review.
Compare & Purchase Ramen Girl at Amazon by clicking here! List Price: —- Amazon Price: $14.99 |
Ramen Girl Description:
- Amazon Sales Rank: #20743 in Movie
- Released on: 2009-06-08
- Rating: NR (Not Rated)
- Running time: 103 minutes
Customer Reviews:
The ramen Girl
COMING OF AGE IN TOKYO five stars
Having grown up in Japan and America, I really felt this movie captured the cultural differences between the two countries with humor, intelligence and charm while still making its points pro and con for both. I don’t agree with the comparison to LOST IN TRANSLATION at all. That movie was about alienation. The main characters could have met on the moon. There was almost nothing in that film that reflected the Japanese culture. I don’t think it was trying to. In fact several Japanese friends and myself found it rather offensive to Japanese people. The Ramen Girl more specifically portrays being a foreigner alone in Japan. There are many fully developed Japanese characters and situations. The central plot could only ever happen in Japan. This is more of a coming of age movie. What is lovely about it is that it suggests that it’s possible to actually find oneself and grow outside of one’s home culture and then to bring what has been learned back home and lead a richer life. Abby, the central character, is sort of a lost soul. Finding herself abandoned in Japan, she is literally and charmingly, through several magical events, drawn into the culture of cooking ramen. Her scenes with her teacher are often hilarious as he doesn’t speak a word of English and she doesn’t speak a word of Japanese. What transpires would appear to be typical but it’s not. Nothing plays out just as one would expect it to. Her efforts are actually quite inspirational, although not always triumphant. All of the performances are first rate. Brittany Murphy has never been better and all of the Japanese cast are excellent. This movie was very well received in Japan. Journalists and movie goers were really surprised that it was written and directed by Americans. They clearly understood the culture they were making their film about. I think it’s great that this movie is finally available to an American audience on DVD. It’s really kind of irresistible. It’s also great to see a movie now that has such a positive point of view and leaves you feeling so good.
Its all about the characters in the Ramen shop
This movie worked for me because of the compelling performance of the Japanese actors in the Ramen shop. The Japanese characters were interesting, humorous and well acted. The lead actress, Brittany Murphy did not seem as natural or convincing in comparison but she gave an acceptable performance. The lead character’s ex-pat friends were basically cardboard cut-outs, but they didn’t really matter to the story so the movie still worked. It felt like the director could have done a bit more with this movie (made it longer, added more detail), but it would have required much more subtlety from Brittany Murphy. Instead he chose to rush the lead character’s development and paint it with primary colors and relied on the Japanese cast to hold up the movie (and they were up to the task). The gem of this film was really the lead Japanese actor, he stole the show and made the whole thing enjoyable to watch.
Sporadically Engaging Fish-Out-Of-Water Story That Needs a Better Director
My experience tells me that it is not a good sign if a film with a big-name star receives only a limited theatrical release before disappearing without a trace. The star I am talking about is NOT Brittany Murphy – though she is top-billed in “The Ramen Girl” – it is Japanese actor Toshiyuki Nishida. The respected veteran is famous for his hugely successful movie franchise “Tsuribaka Nisshi,” but perhaps some might remember him as the “Pigsy” of Japanese TV series “Monkey.” Despite his name, the film never received wide theatrical release in Japan. This is quite unusual – imagine a Tom Hanks movie released only in LA and you know what I mean – and the reason is simple. “The Ramen Girl” is not very good.
Brittany Murphy is Abby, who has followed her boyfriend Ethan (Gabriel Mann) from America. Ethan leaves her, however, and shocked Abby is attracted to the bright light nearby her apartment room. It is a small ramen shop run by a headstrong master Maezumi (Nishida), and Abby, looking for a new way of life, decides to work at the shop to learn the art of cooking. Naturally Maezumi refuses, but persistent Abby wouldn’t leave and the shop master reluctantly agrees.
Certainly the storyline is forced, but not without potential. I don’t think stubborn master like Maezumi, who has been doing his job for more than forty years, would take Abby (or anyone else, American or not) as a pupil so easily, but Nishida is a talented actor, very good at comedy, so the film still had a chance.
Alas, the director never allows him to do what he can do. Not surprisingly, grumpy Maezumi yells at Brittany Murphy’s Abby, who is not a fast learner, but the film is no fun to watch as it lacks humor and pathos that this kind of story needs. This is not the wall-painting training of wise Miyagi-san in “The Karate Kid” which has a meaning in it. Maezumi’s pointless “training” (like Abby scrubbing a toilet bowl) doesn’t convince us.
Abby’s character is also a problem. The idea of a broken-hearted American woman who wants to learn ramen cooking is not very credible. Moreover, the film never gives her a real trial. It takes a lot of effort and tenacity to acquire skills of ramen cooking (or any kind of cooking for that matter), but the dialogue-ridden film never gives her a chance to show her cooking prowess. What she has to learn is explained away simply with a word “tamashii” or soul. And a teardrop, too.
“The Ramen Girl” is helmed by Brooklyn-born Emmy-winning director Robert Allan Ackerman, who has also directed plays in Tokyo many times. The film’s screenplay is written by Becca Topol, who, according to the film’s home page, spent one year in Japan while studying in college. As to the production design of the ramen shop and the owner’s house, it is perfect. You can find such small ramen shops around the corner anywhere in Japan.
However, the film, it seems, misses every opportunity to use their knowledge about the country and its culture. Cooking ramen plays a significant role as metaphor in the film, but in “The Ramen Girl” somehow you don’t see the details of ramen cooking they should know. How did Abby learn the skills? How did the master teach her?
There is nice supporting acting from Kimiko Yo as Maezumi’s wife, and Tsutomu Yamazaki as the grand ramen master (both actors seen in “Departures”), but the lagging pace of the film doesn’t change. Subplots about the characters played by Tammy Blanchard and Sohee Park are so weak and forgettable.
The film needs a more capable director and writer, who can create a cinematically dynamic narrative development, or more credible story and characters. This is s huge disappointment for me. “The Ramen Girl” could have been a much more engaging drama with someone else as director. Toshiyuki Nishida, one of the best actors in Japan, deserves a better film than this.
By the way, there is really a “Ramen Museum” in Yokohama.
Watch Marebito Movie Online
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Watch Marebito Movie Online.
Movie Title: Marebito Marebito is available for streaming or downloading. |
On one level, which isn’t revealed until nearly the waste, you can elaborate Marebito as a relatively simple film about a man, Masuoka (Shinya Tsukamoto), who has had a psychotic crash and commits an spoiled, though relatively contained, series of crimes. Unbiased that legend, if it were told transparently, would be enough to believe your interest–as it is so hooked and disturbing.
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But director Takashi Shimizu, best known for his Juon/Grudge series, typically doesn’t want to fair relay a simple tale. In Marebito, there are deep layers of allusion, metaphor and partially symbolic/partially literal philosophize. In addition to the psychotic madman stuff, at various times the film has elements of, or can be read as, a meditation on obsession, technological (especially video) fetishism, or voyeurism; a skeptical exploration of the attraction of scare and dismay as entertainment (the protagonist can’t quite seize the attraction, but sees it in others, and wants to understand and experience it) ; a Dantean descent into Hell; a ghost story; a vampire epic (both literal and psychological) ; and even a kind of savor sage with an extremely deviant eroticism. I’m probably forgetting to mention some possibilities, and I probably overlooked others, but that gives you an conception of the complexity of Marebito.
Reading the above, it might sound like the film should be a mess. It would be difficult for most writers and directors to fuse so many different elements together into a cohesive whole. But Shimizu and screenwriter Chiaki Konaka, who also wrote the original that Marebito is based on, attain a remarkably natural, ever-shifting stir. The contrivance a viewer contextualizes Marebito will likely continually change all the intention to the raze of the film, but the shifts are all as runt and unexcited, and have all of the mind-bending illusory qualities as well as the interlocking aspects of the typical kinds of M.C. Escher prints.
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Shimizu is able to very rapidly instantiate a palpable, atmospheric creepiness. There’s a very disturbing, somewhat graphic death early in the film, which Masuoka hastily responds to obsessively, and at the same time, we seek voyeurism in other ways, one that’s met with the appearance of an eerie, ghostly figure in a neighboring apartment building. The Dantean descent happens not long after, and Marebito takes a sunless, fantastical turn. By that time, I was completely engrossed in the film. Shimizu doesn’t remain in fantasy territory too long, but the film grows increasingly disturbing–from the images, not so great because of gore, although there is plenty of blood in Marebito, but moreso because of the context and the accompanying, very bent eroticism. What seems to be really going on will ruffle more than a few ethical feathers of many viewers, and that material will not settle in a manner they’d ask. At the same time, Shimizu doesn’t ever completely abandon the more fantastical material, and to the raze, he leaves the film fairly commence to a number of alternate interpretations.
Not only for fans of Japanese apprehension films, Marebito is a “must gawk” film for anyone who can stomach the disturbing and who is not easily offended. It will reward repeated viewings and contemplation, as you can conceptually peel it like a resonant onion that has no certain center. This may be Shimizu’s best film yet, and I loved a couple of the Ju-On films. Now I impartial need to track down an English translation of the new.
I found it difficult to keep this characterize into perspective until of all things, I read Chobits.
As definite as I am writing this and you are reading it, you might wonder if I lost it. But it dawned on me – Hideki is obsessed with his Persocon – he names her, falls in esteem with her… but that is where the similarity ends.
Masuoka is in search of death. His curiosity bag him deep beneath Tokyo – in a residence of tunnels. He seeks to avoid the dreaded DERO or “detrimental robot.” There are rumour around about peculiar creatures that to scuttle the demi-monde spreading scare. In and around the underground ruins Masuoka finds an strange, young lady, not all there – so to mutter – very “Wild Child” – impartial like Hideki, Masuoka names his regain – in this case – F. Taking her home to his spartan abode, kept illuminated by the monitors that surround his walls, he tries to bring her befriend to the life by feeding her with his contain blood. Masuola is indeed aware of the possible do another hungry mouth that feeds on his blood but can’t encourage himself – he is zigzag.
I was not really positive where the yarn was going – except perhaps for a disfunctional care for doomed from the originate. I figured the creepy element was that he was going to become some fabricate or another of serial killer as the true world closed in on him. That would be creepy. Anyway, it lives up to its billing as “Asian Uncouth” but the only thng really shameful was the deficiency in the storyline. From the creator of Ju-on and The Grudge one would quiz director Takashi Shimizu to blow you away – if you are into the genre – it will all manufacture sense. However, if you are not, it will earn Ju-on and The Grudge feel like gone with the wind. Effects are frosty, acting so-so, anecdote line lost me (ergo the 4 stars) .
Miguel Llora
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